Ergebnis gesprochen von "Amir Abdullah" in Alle Kategorien

Decolonization has lost its way. Originally a struggle to escape the West's direct political and economic control, it has become a catch-all idea, often for performing "morality" or "authenticity;" it suffocates African thought and denies African agency. Olúfemi Táiwò fiercely rejects the indiscriminate application of 'decolonization' to everything from literature, language and philosophy to sociology, psychology and medicine. He argues that the decolonization industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa.

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling "the walls of his room with piteous petitions to be released, all written in the Arabic language," as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

The sudden death of Not Sidney Poitier's mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar winning actor, and serious amount of shares in the Turner Corporation. Percival Everett's novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn't know what to do with him.

Billionaire Elliott Kantor, who ruled over a mammoth real estate portfolio in Chicago, was a creature of habit. His trainer came to his house three mornings every week for a five-thirty workout. By six-thirty he was in the car and his driver drove him down into the city where he’d get a shave and trim from his barber every morning, then head over to his offices on Wacker.

With lively writing and illuminating examples, David Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign.

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines."

Not much daunts Rakta Velbrun. He has immigrated from Rusk to the Certillian Empire, traveled the realm battling unspeakable creatures with his adventuring guild, and faced off against the Warlock King himself. But when his wife, Lydia, passes away in childbirth, leaving him the sole caretaker of their three infant children, he finds himself in unfamiliar territory.

At first glance, Hope Evans just landed the perfect job: spending the summer on a shark research boat. Except as every marine biologist knows, it’s what’s going on beneath the surface that counts, and Hope’s new position comes with a big catch—the boat belongs to her ex-boyfriend, Adrian Hollis-Parker. For three years Hope’s been treading water, staying away from anything that reminds her of their past. It’s time to dive back into a job that could springboard her career—and maybe offer much-needed closure.

Overlooked for decades, Henderson was finally enshrined in the National Basketball Hall of Fame in 2013 as a contributor. The Grandfather of Black Basketball gives long-overdue recognition to a sports pioneer, civil rights activist, author, educator, and pragmatic humanitarian who fought his entire life to improve opportunities for youth through athletics.

When a thunderstorm grounds all flights following a huge Muslim convention, four unlikely kids are thrown together. Feek is stuck babysitting his younger sister, but he'd rather be writing a poem that's good enough for his dad, a famous poet and rapper. Hanna is intent on finding a lost cat in the airport—and also on avoiding a conversation with her dad about him possibly remarrying. Sami is struggling with his anxiety and worried that he'll miss the karate tournament that he's trained so hard for.

The System is XP and level-up based. The unique part is the System-based abilities that can be learned through the collection of magic cores, little orbs that have magical abilities, and weapon arts—a person has certain weapons that match them. There are quests, individual achievements, stats to gain, and recognition by the System for providing the greatest service/efforts during mass party quests, and more.

William Shakespeare, long hailed as history's greatest dramatic writer, has been lauded for his mastery of poetic expression, his insight into the human condition, and his deep exploration into the psyche and motivations of his characters.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten “beautiful and vivid” (Jacqueline Woodson, National Book Award­–winning and New York Times bestselling author) stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

For Zuberi, Uzochi, and Lencho, Nubia is a mystery. Before they were born, a massive storm destroyed their ancestral homeland, forcing their families to flee across the ocean to New York City. Nubia, a utopic island nation off the coast of West Africa, was no more, and their parents’ sorrow was too deep for them to share much of their history beyond the folklore. But New York, ravaged by climate change and class division, is far from a safe haven for refugees, and Nubians live as outcasts.

Reparations for slavery have become a reinvigorated topic for public debate over the last decade. Most theorizing about reparations treats it as a social justice project—either rooted in reconciliatory justice focused on making amends in the present; or, they focus on the past, emphasizing restitution for historical wrongs. Olúfemi O. Táiwò argues that neither approach is optimal, and advances a different case for reparations—one rooted in a hopeful future that tackles the issue of climate change head on, with distributive justice at its core.

Best-selling author Rick Riordan presents the finale of Kwame Mbalia's trilogy, in which Tristan Strong faces off with his archenemy, King Cotton, once and for all.

After winning Olympic medals for Britain in 1920, Harry Edward (1898-1973) decided to try his luck in America. The country he found was full of thrilling opportunity and pervasive racism. Immensely capable and energetic, Harry rubbed shoulders with kings and presidents, was influential in the revival of Black theatre during the Harlem Renaissance, and became a passionate humanitarian and advocate for child welfare.

The service of African-American soldiers during the Civil War is one of that conflict's most stirring, if still not completely understood, aspects. Riders in the Storm covers the story of the African-American cavalrymen of the 5th Massachusetts. Where the infantry regiments recruited largely free Blacks from the North, the 5th focused on escaped slaves, who it was believed would be better horsemen. Not only would the former slaves be fighting for themselves, but they would be fighting to liberate loved ones still enslaved.

Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family's difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret.