Ergebnis für "The Cinema" in Alle Kategorien

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

Ein alter Kinosaal, eine junge Frau auf der Flucht vor ihrem Leben und etwas, das viel furchteinflößender ist als alles, was sie sich je vorgestellt hat. Ronja hatte nicht weglaufen wollen, nur ein Zeichen setzen. Einzig deshalb hat sie die erstickende Enge ihres Elternhauses verlassen. Eine verpasste Bahn und der Regen zwingen sie schließlich dazu, Zuflucht in einem stillgelegten Kino zu suchen. Zu spät bemerkt sie, dass sie nicht allein ist. Und plötzlich kämpft sie nicht nur um ihr Recht auf ein selbstbestimmtes Leben, sondern um das Leben selbst.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.

For over thirty years, Old Second and Bao Mei have cobbled together a meagre existence in New York City's Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented The Workers' Cinema: a theatre where gay men cruised for love. While classic war films played, Old Second and his fellow countrymen found intimacy in the privacy of the Workers' Cinema's screening rooms. Elsewhere, in the box office, Bao Mei sold movie tickets to closeted men - guarding their secrets and finding her own happiness with the projectionist.

The legendary Academy award-winning writer and director takes the listener on a unique joyride of personal memoir, cultural criticism and Hollywood history. For the first time, in his own words, explore the mind, the myth, and the movie magic of the one and only Quentin Tarantino.

A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey.

Welcome to Cinema Universe, the podcast that takes you on a journey through the fascinating world of movies and TV shows. Whether you're a casual viewer or a passionate cinephile, Cinema Universe offers a fresh perspective on the films and series that shape our entertainment landscape. From the latest blockbuster releases to hidden gems, we dive deep into the stories behind the screen.Each episode of Cinema Universe explores everything from the evolution of filmmaking to the impact of groundbreaking directors and actors. We uncover the secrets of cinematography, storytelling techniques, and ...

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

Walter Simmering is searching for love and purpose in a city he doesn’t realize is fading away—San Francisco in 1993, at the height of the AIDS epidemic and the dawn of the tech revolution. Out of college, out of the closet, and transplanted from the Midwest, Walter is irresistibly drawn from his shell when he meets Cary Menuhin and Sasha Stravinsky, a dynamic couple who live blithely beyond the boundaries of gender and sexuality.

Go back to the time of VCRs, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “Hasta la vista, baby” to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

Hosted by Joe Aragon, House of Cinema is a weekly discussion of all things film. From rankings and analyses to movie drafts, there's a little bit of something for either the hardcore cinephile or the casual movie goer. If you love movies, the door is always open at the House of Cinema.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity.

The sleepy town of Lordsland is rocked by a baffling storm, leaving the residents mystified to its origins. As the day progresses, an insidious evil leaves the entire town scrambling in a battle against the newly awakened dead.

In Chasing the Light Oliver Stone talks about his rarefied New York childhood, volunteering for combat and his struggles and triumphs making such films as Platoon, Midnight Express and Scarface. Stone, now 73, recounts those formative years with vivid details of the high and low moments.

Der Podcast für Freunde des abseitigen Films. Flo, Jan, Martin und Burger pairen Arthouse und Trash-Filme (Art or Trash), diskutieren aktuelle Filmperlen (CCC) und handeln den Genrefilm thematisch - auf der Jagd nach obskuren Perlen - ab (Genrejagd).

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.

In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs

A weekly film podcast hosted by Elric Kane (of the Shock Waves podcast) and Brian Saur (of the Rupert Pupkin Speaks film blog) featuring discussions of new films, old films, double features, cult movies, filmmakers and movie lists among a smorgasbord of other Cinema-related things.

Wer sich gruseln oder in fremde Welten abtauchen will, ist hier genau richtig: In "Scarytales" geht es um aktuelle Genre-Beiträge im Film- und Streaming-Bereich. Was im Monat neu startet und ob sich ein Besuch im Kino oder das Einschalten lohnt, beleuchten die CINEMA-Redakteure Markus Fiedler und Ina Hagemann.