Ergebnis gesprochen von "Dani Martineck" in Alle Kategorien

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

It’s 1993, and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shape-shifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco - a journey through the deep queer archives of struggle and pleasure.

On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

It's the beginning of sophomore year, and Robin's Odd Squad friends have decided: This time, they're going to fit in. They couple up, they won't stop talking about college and their future careers, and they're obsessed with trying to act "normal". Robin knows that game well - she's been pretending for years, hoping nobody would notice the sarcastic polyglot French horn player with a bad perm in the back of the room. But there's one aspect of her identity that she knows for sure doesn't fit in with her carefully controlled image.

All they need to do is get out. Alissa, Sky, Miles and Mint are ready for a night of fun at the Escape Room. It's simple. Choose their game. Get locked in a room. Find the clues. Solve the puzzles. And escape the room in 60 minutes. But what happens if the Game Master has no intention of letting them go?

Yael Clauneck is more interested in drinking and flirting than joining their powerful family’s business. They’re on the precipice of a predetermined life when they flee their own graduation party, galloping away in search of . . . well, they’re not sure, but maybe the chance to feel like life can still be a grand adventure. Margot Greenwillow—talented plant witch, tea lover, and greenhouse owner—has never felt further from adventure in her life. She’s been desperately trying to keep what remains of her family’s magic remedies business afloat.

In Asalin, fae rule and witches like Wyatt Croft…don't. Wyatt's betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a distant Emyr has hunted him down. Despite transgender Wyatt's newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist.

Two weeks after the door to Faery closed once more, Asalin is still in turmoil. Emyr and Wyatt are hunting Derek and Clarke themselves after having abolished the corrupt Guard, and are trying to convince the other kingdoms to follow their lead. But when they uncover the hidden truth about the witches' real place in fae society, it becomes clear the problems run much deeper than anyone knew. And this may be more than the two of them can fix.

Najwa Zebian, EdD, has been grappling with the concept of letting go for years, both in her own journey and in her interactions with community members, students, and friends. More and more, Najwa has observed that while our problems are personal, the themes surrounding them are universal. She concluded that letting go is a topic that deserves specific attention and consideration.

Gerald, a mid-level employee of a New York-based public relations firm, has been uploaded into the company’s internal Slack channels - at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from-home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from...wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists his coworker Pradeep to help him escape and to find out what happened to his body.

John Maeda is one of the world's preeminent interdisciplinary thinkers on technology and design. In How to Speak Machine, he offers a set of simple laws that govern not only the computers of today, but the unimaginable machines of the future. Technology is already more powerful than we can comprehend, and getting more powerful at an exponential pace. Once set in motion, algorithms never tire.

John Maeda is one of the world's preeminent thinkers on technology and design, and in How to Speak Machine, he offers a set of simple laws that govern not only the computers of today but the unimaginable machines of the future. Machines are already more powerful than we can comprehend and getting more powerful at an exponential pace. Once set in motion, algorithms never tire. And when a program's size, speed and endlessness combine with its ability to learn and transform itself, the outcome can be unpredictable and dangerous.

Najwa Zebian, EdD, has been grappling with the concept of letting go for years, both in her own journey and in her interactions with community members, students, and friends. More and more, Najwa has observed that while our problems are personal, the themes surrounding them are universal. She concluded that letting go is a topic that deserves specific attention and consideration. Wanting a tool that is practical for as many people as possible, Najwa used her considerable platform to solicit questions from longtime followers.

It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country–a journey and adventure through the deep queer archives of struggle and pleasure.

Big Burr, Kansas is the kind of place where everyone seems to know everyone - or so they think. But when a national nonprofit labels Big Burr “the most homophobic town in the US” and sends in a queer task force to live and work there for two years, no one is prepared for what will ensue.

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an electrifying, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out-of-bounds for their small Pennsylvania town in 2004, and for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnect between her past and her future.

When archivist Sol meets Elsie, the larger-than-life widow of a moderately famous television writer who's come to donate her wife's papers, there's an instant spark. But Sol has a secret: He suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the "vampire disease".