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"Ich möchte lieber nicht." Mit diesem Satz lehnt der Schreiber Bartleby nach und nach...

Bartleby: Das Novellen-Meisterwerk von Herman Melville, dem Autor von Moby Dick. Bartleby ist ein Schreibgehilfe, ein Anwaltskopist. Der Erzähler...

Der junge Aktenkopist Bartleby fällt in der neuen Anwaltskanzlei bald durch seine Schweigsamkeit, ungeheure Arbeitswut und große Gewissenhaftigkeit auf. Dass er Korrekturlesen und Botengänge "lieber nicht machen" möchte, stößt zwar auf Unverständnis, wird jedoch toleriert.

New York, Mitte des 19. Jahrhunderts: In einem nicht nennenswerten Bürohaus, in einer nicht nennenswerten Anwaltskanzlei sitzt ein Schreiber, blickt auf seine Arbeit, auf sein Büro, auf sein Leben und beschließt: "Ich möchte lieber nicht." Sein Vorgesetzter versteht nicht, was er damit meint, und versucht seinen ehemals produktiven Angestellten zu motivieren. Doch was er auch macht, Bartleby ist sich sicher: "Ich möchte lieber nicht!"

Zwei meisterhafte Erzählungen aus dem Amerika des 19. Jahrhunderts, die sich mit dem merkwürdigsten Lebewesen von allen beschäftigen: dem Menschen. "Bartleby": Der Kopist der Anwaltskanzlei Bartleby gibt seinem Chef Rätsel auf. Zuerst glänzt er durch hervorragende Arbeit, dann jedoch beginnt er sich zurückzuziehen und reagiert auf jede Arbeitsanweisung mit dem rätselhaften Satz: "Ich möchte lieber nicht." Herman Melvilles Werk aus dem Jahre 1853 wird als frühe Kapitalismuskritik verstanden und fasziniert noch heute.

The life of a Scrivener can be a dull one. After all, your entire occupation has to do with the handwritten copying of law documents. But when Bartleby arrives, he turns the office upside down with the enigmatic phrase: “I prefer not to.”

Es ist die Geschichte einer absoluten Verweigerung. In der Wall Street-Anwaltskanzlei von Mr. Tucker arbeiten zwei Schreiber und ein Lehrling. Jeder von ihnen hat seine schrulligen Eigenheiten, aber man hat sich aneinander gewöhnt. Da erscheint ein blasser junger Mann: Bartleby. Er wird als Kopist eingestellt und beginnt seine Tätigkeit mit stillem Fleiß und einsiedlerischer Ausdauer. Seine Handschrift ist sauber, er selbst sehr arbeitsam. Aber die Stille, die ihn umgibt, seine Eigenschaftslosigkeit, wird zunehmend immer seltsamer.

The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine to, sadly, critical disdain.

Bartleby, the Scrivener: A Story of Wall Street is a short story by Herman Melville, first serialized in a magazine in 1853, and reprinted with minor edits in The Piazza Tales in 1856. Set in the mid-19th century on Wall Street, the story tells of a lawyer who employs Bartleby, a new clerk, who, after an initial stint of hard work, refuses to perform any task required of him, with the words, "I would prefer not to." The narrator attempts to reason with Bartleby to no avail, and Bartleby starts living at the office.

In Manhattan, an elderly lawyer's business is growing. Having two scriveners in his employ, the lawyer advertises for a third to meet demand. Enter Bartleby, a glum albeit quality scrivener. However, the lawyer quickly discovers that something is off with his new employee. When asked to perform any duties outside of copying, Bartleby responds with a canned "I would prefer not to." Soon Bartleby is living at the office and performing less and less at work.

Herman Melville is now seen as one of the great figures in American literature, a man who expanded the role of the novel and gave new and complex depths to the meaning of a story. His best work uses the form of the novel or the story as a means of carrying and discussing concerns about the nature of humanity, the role of God, and a sometimes satiric, sometimes bitter, examination of colonialism and capitalism.

Die Hauptfigur arbeitet als unauffälliger Büroangestellter und weigert sich eines Tages, der beruflichen Bitte ihres Chefs nachzukommen und zwar nachdrücklich und auf unbestimmte Zeit. Jedermann ist ratlos, aber Bartleby ist entschlossen, nur noch Tätigkeiten auszuführen, die er für wichtig hält, unabhängig von den Meinungen anderer.

A few years ago I was a broke, university dropout, at 18 I built an industry leading social media marketing company, and at 27 I resigned as CEO. At 28 I co-founded Flight Story – a marketing and communications company, and thirdweb - a software platform, making it easy to build web3 applications. I then launched private equity fund, Flight Fund, to accelerate the next generation of European unicorns. During this time I decided to launch 'The Diary Of A CEO' podcast with the simple mission of providing an unfiltered journey into the remarkable stories and untold dimensions of the world...

This classic story of a New York lawyer and his oddly rebellious clerk is as relevant today as when it was first published in 1853. Herman Melville brings us into a small Wall Street law office and introduces us to the lawyer and his quirky staff, the quirkiest of whom is poor, quiet Bartleby, whose increasing refusals to participate in office procedures lead to increasingly bewildering and tragic consequences.

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist."View our full collection of podcasts at our website: https://www.solgoodmedia.com or ...

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist." The story has been adapted twice: once in 1970, starring Paul Scofield, and again in 2001,...

Un avvocato, il suo studio, i suoi due impiegati, un giovanissimo fattorino, e infine l'arrivo di un terzo impiegato, pallido, scialbo in modo singolare: Bartleby. Bartleby si presenta come un impiegato modello, il primo ad arrivare e l'ultimo ad andare via (apparentemente), ligio al dovere, praticamente alieno ad ogni sorta di distrazione; copia gli atti legali. Sembra non fare altro. Sembra non volere fare altro. Sembra non amare fare altro. Forse non sa fare altro? Bartleby è "un'eterna sentinella nel suo angolo".

“New York is a city of things unnoticed,” a young reporter named Gay Talese wrote sixty years ago. He would spend the rest of his legendary career defying that statement by celebrating the people most reporters overlooked, understanding that it was through these minor characters that the epic story of New York and America unfolded. Inspired by Herman Melville’s great short story “Bartleby, the Scrivener,” Talese now revisits the unforgettable “nobodies” he has profiled in his celebrated career—from the New York Times’s anonymous obituary writer to Frank Sinatra’s entourage.

Herman Melville was born in New York City on 1st August 1819. His father died when he was 12, leaving the family in very straitened times. Two years later Melville took a job in a bank and followed up with a failed stint as a surveyor. He went to sea and travelled across to Liverpool and then to the Pacific on adventures. Presented here is perhaps his best known short story, ‘Bartleby, the Scrivener’, an enduring story of a Wall Street lawyer and his very particular assistant.

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist." The story has been adapted twice: once in 1970, starring Paul Scofield, and again in 2001,...