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In 1859, in a small town jail, deep in the forests of Canada, an elderly woman sits behind bars. She came to Dunmore via the Underground Railroad to escape enslavement, but an American bounty hunter tracked her down. Now she's in jail for killing him. Lensinda Martin, a smart young reporter, wants to tell the woman's version of events, hoping that it will lead to her acquittal, but the woman will only tell her story on one condition: she gets one from Lensinda in return. As the women swap stories, it becomes apparent that their histories are interconnected.

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad. In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.

Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighboring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.

Alicia has been out of grad school for six months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.