Ergebnis gesprochen von "Jay Villiers" in Alle Kategorien

Lynx is a mercenary with a sense of honour - a dying breed in the Riven Kingdom. Failed by the nation he served and weary of the skirmishes that plague the continent's principalities, he walks the land in search of purpose. He wants for little, so bodyguard work keeps his belly full and his mage-gun loaded. It might never bring a man fame or wealth, but he's not forced to rely on others or kill without cause. Little could compel Lynx to join a mercenary company, but he won't turn his back on a kidnapped girl.

Thomas Usher has a terrible gift. Following a car crash in which his wife and daughter are killed, he can see the recently departed, and it's not usually a pretty sight. When he is called to investigate the violent death of the daughter of a prominent local gangster, Usher's world is torn apart once more. For the barriers between this world and the next are not as immutable as once he believed.

There's a new card in the Mercenary Deck - one Lynx isn't sure if he's happy to see or not. The assassin Toil now wears the Princess of Blood on her jacket, and even Lynx would admit she's a woman cloaked in chaos and bloodshed. Their new mission is to escort a dignitary to the pious and ancient city of Jarrazir - beneath which lies a fabled labyrinth. Having barely survived their last underground adventure the mercenaries aren't keen for another, but Toil has other plans. Under threat of siege and horrors rising from the labyrinth, even the Mercenary Deck may have to accept that Jarrazir's prohibition laws aren't their biggest problem.

Branen had to leave the UK six years before to escape his complex, clandestine history and the consequences of a crime that achieved worldwide notoriety. When his daughter is brutally murdered in Soho, he believes that he could be the reason. He returns to his old hunting grounds to find the killer.

He sought to flee his tragic past, but when Thomas Usher hears a clockwork voice on the phone, and sees ever-more disturbing visions in a derelict warehouse, Usher realises that he has to return home - for the sake of his own sanity. Meanwhile, a deadly figure from Usher's past threatens to undermine the very fabric of reality. Gary McMahon’s short fiction has appeared in numerous acclaimed magazines and anthologies in the UK and US and has been reprinted in yearly “Best of” collections.