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September 1943: German forces occupy Rome. SS officer Paul Hauptmann rules with terror. The war's outcome is far from certain. An Irish priest, Hugh O'Flaherty, dedicates himself to helping those escaping from the Nazis. His home is Vatican City, the world's smallest state, a neutral, independent country within Rome where the occupiers hold no sway. Here Hugh brings together an unlikely band of friends to hide the vulnerable under the noses of the enemy. But Hauptmann's net begins closing in on the Escape Line and the need for a terrifyingly audacious mission grows critical.

"The Canterville Ghost" is a popular short story by Oscar Wilde, widely adapted for the screen and stage. It was the first of Wilde's stories to be published, appearing in the magazine "The Court and Society Review" in February 1887. It was later included in a collection of short stories entitled "Lord Arthur Savile's Crime and Other Stories" in 1891. The American Minister and his family have bought the English stately home Canterville Chase, complete with the ghost of Sir Simon de Canterville - blood stains, clanking chains and all.

In these 26 episodes, we turn the clock back to 2014 - the year when Scotland said 'no' to independence, Ukrainians ousted their pro-Russia president in the Maidan Revolution, and the European Space Agency's Philae probe made its historic first landing on a comet. Sandi Toksvig is in the chair for every show bar one, in which Susan Calman steps in as temporary host. Subjects on the table for the team include NHS pay, a badger crash, commuter train standards, Russian activities in Crimea, dietary health scares, passport delays and black cab strikes.

The child of a reputable family and a faithful son of the Church, Robert of Locksley had no intention of becoming an outlaw. But the relentless cruelty and tyranny by the elite nobility of England demanded that someone rise up to give answer. And so Robert of Locksley became Robin Hood, a man thrown into a fierce struggle to balance his deep faith with a call to action in a violent age. Featuring over 60 actors, cinematic sound, and original music, The Legends of Robin Hood is an exciting 12-part audio drama from the award-winning Augustine Institute.

Celebrated English folksinger Shirley Collins offers an affecting account of her year-long stint as assistant to legendary musical historian and folklorist Alan Lomax. Collins describes a journey both emotional and musical, as she and Lomax work tirelessly to uncover the traditional music of the American South. Together, they traveled to Virginia, Kentucky, Alabama, Mississippi, Arkansas and Georgia, encountering Mississippi Fred McDowell, Muddy Waters and many others, their diligent work uncovering the traditional music of America's heartland.

How a Beaver Saved My Life is a dramatic look into one man's journey when doctors told him that he would be in a wheelchair or dead in 10 years. You will share his engaging, deeply touching, and sometimes hilarious stories. The experience will seem so real that you will think you are there with Gary as he faces death and disability and finds his way to win over both! Gary's unyielding commitment to never take on the identity of an illness is truly inspiring.

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature.

The story of respectable Dr Jekyll's strange association with 'damnable young man' Edward Hyde; the hunt through fog-bound London for a killer; and the final revelation of Hyde's true identity is a chilling exploration of humanity's basest capacity for evil.

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.