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For centuries, men have been writing histories of antiquity filled with warlords, emperors and kings. But when it comes to incorporating women aside from Cleopatra and Boudica, writers have been more comfortable describing mythical heroines than real ones. While Penelope and Helen of Troy live on in the imagination, their real-life counterparts have been relegated to the margins. In The Missing Thread, Daisy Dunn inverts this tradition and puts the women of history at the centre of the narrative.

After the horrors of the First World War, Oxford looked like an Arcadia - a dreamworld - from which pain could be shut out. Soldiers arrived with pictures of the university fully formed in their heads and women finally won the right to earn degrees. Freedom meant reading beneath the spires and punting down the river with champagne picnics. But all was not quite as it seemed. Boys fresh from school settled into lecture rooms alongside men who had returned from the trenches with the beginnings of shellshock.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.