Ergebnis gesprochen von "Charles McKibben" in Alle Kategorien

Abraham Lincoln was strangely happy for the first time in years. The war was almost over. He could put the crisis behind him; when this term was over, he could return home to Springfield. Maybe he would go back to his legal practice with William Herndon, or perhaps he would buy a farm along the Sangamon River and become a gentleman farmer. Everyone noticed the change. For John Wilkes Booth, it was exactly the opposite. His world was crumbling all around him.

In hindsight, we can say no one man or event served as a catalyst for the Civil War. It was not the John Brown Raid, no matter how many historians say it was the pivotal event. It was not the election of Abraham Lincoln, and the war was not about slavery - not in the beginning anyway. The Civil War got its start 73 years earlier when the Founding Fathers set aside the hot potato that was slavery - so they could ratify the Constitution. The signers knew they were passing the issue on to a future generation. Their hope was their progeny could answer the questions they could not.

In the 1940s, film noir was at its peak, and Hollywood was churning out dark, mysterious, exotic and erotic classics. In 1944, the premiere femme fatale was Barbara Stanwyck, who was the highest paid woman in America that year, thanks to roles in films like Double Indemnity (1944), in which she uses her persuasive powers to convince a man to commit murder. That film would earn Stanwyck the first of her four Academy Award nominations. After a nearly 60-year career in acting, the American Film Institute would recognize her as the 11th greatest female screen legend of the 20th century.

The rise of cable media in the 21st century has seen news programming become more opinionated and partisan than ever before. It has led many nostalgic Americans to yearn for the news programs of earlier times, with the seemingly objective anchor just giving viewers the facts. While that bygone era is no doubt idealized and romanticized to a certain degree beyond what it actually was, nobody epitomizes that era like Walter Cronkite, America's most famous news anchor.

In the 1940s, there were few actors who personified the all-American look like Burt Lancaster, who set Hollywood ablaze quickly with performances in movies like The Killers, The Flame and the Arrow, and The Crimson Pirate. Indeed, his status as a heartthrob was cemented by 1953's From Here to Eternity, when he and Deborah Kerr shot a romantic scene on a Hawaiian beach that ensured the film's inclusion in the American Film Institute's Top 100 Romantic Films of the 20th century.

As it turned out, however, that was just the first phase in a critically acclaimed career that would span over 40 years. As Lancaster grew older, he wisely veered away from the early kinds of roles he had as a leading man and branched out into more distinguished roles that were also more challenging, earning him brand new levels of acclaim. In time, he would go on to be nominated for four Academy Awards for Best Actor, including a win for Elmer Gantry (1960) when he was in his late 40s. By the time he was finished, the American Film Institute named him 19th on its list of the 50 best actors of the 20th century.