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Loki has made a fair few enemies during his time in Asgard. Too many to count and certainly too many to remember. When the elf, Vinir beams Loki aboard his chariot and challenges him to a magical duel, Loki hasn't got a clue why. Sweet talking his way out of a fight by pointing out there's little honor in dueling someone who can't remember how they wronged you, and even less in picking on a child, Loki is returned safely to school. That is until Vinir shows up in child form, as resolute as ever about seeking that duel... and vengeance.

When Heimdall and Hyrrokkin abandon their "children" to go on vacation, Odin sends Baldur—Thor's half-brother and god of making Loki look bad—to babysit. As Baldur and Thor bond, Loki's attempts to prove he's good start getting a bit desperate. After the drama teacher casts him as the villain in the school play, Loki starts to wonder whether there's any point in being good when everyone seems convinced of his villainy.

Odin has given Loki another chance to prove himself worthy of Asgard. But earning everyone's trust is tricky, and when Thor's hammer goes missing, everyone blames Loki! Outrageous! To clear his name he must: 1) Find Thor's beloved hammer, 2) Uncover the real thief, 3) Force everyone to admit they were wrong. An easy feat for someone as handsome and clever as Loki.

Maddox is an old-school journalist struggling to keep up with new technology. He fears the art of finding stories is being forgotten and is not about to let that happen. His online editor Freddy, however, will happily regurgitate a press release and call it a story. But they have a grudging respect for each other, as Freddy helps Maddox stay afloat in the world of Twitter, Facebook and podcasting and Maddox shows Freddy how to land a real scoop.

In “Octopussy,” a former operative in the Second World War must face the consequences of past sins when James Bond knocks on the door of his Caribbean fortress, and in “The Property of a Lady” Bond deciphers the elaborate codes of a Sotheby’s bidding war in order to catch a KGB agent. “007 in New York” takes Bond to the titular city to warn an ex-agent of her boyfriend’s secret KGB affiliation. And “The Living Daylights” sends Bond to Berlin to protect a British agent before an assassin strikes.

The man they call 'Britain’s Funniest Milton', Milton Jones, stars in his smash-hit Sony Award-winning comedy show, Another Case Of Milton Jones, costarring Tom Goodman-Hill (The Office, Humans), Ben Willbond (Horrible Histories), Dave Lamb (Come Dine With Me), Ingrid Oliver (Doctor Who) & Lucy Montgomery (Down the Line).

February 2012. Somewhere in the North Atlantic. In an increasingly uncertain defence environment, a deadly new arms race has begun. In an attempt to secure her boundaries, Britain has deployed the very latest sub-sea military technology. Beneath and beyond the front line, these are the adventures of the HMS Goliath. A 55,000-tonne M-Class nuclear stealth submarine, prowling 5,000 metres below the surface, manned by idiots.

Here are all six episodes of the BBC Radio 4 sitcom written by and starring Ben Willbond and Justin Edwards about two incompetent science teachers who work at a college that specialises in drama, and whose world is turned upside down by the arrival of a new boss.

Be calm.... Stop stressing.... Embrace the universe.... Try yoga.... Be fulfilled.... We're overwhelmed with these sorts of commands, and we often torture ourselves to 'try harder', yet somehow we never feel we've done quite enough. It's about time we stop pushing ourselves to do what we think we're supposed to do and instead simply allow ourselves to be angry, be tired, be silly, be passionate - to give yourself a break, and just be.

Written by the Officer Commanding and former Red 1 Team Leader, Wing Commander David Montenegro, and full of never-before-shared tales from pilots past and present, this thrilling history is both a faithful record and a fascinating account of not only what it takes, but what it means, to be a Red Arrow.

Arch-Brutalist Sir Lucien founded his architectural practice on a commitment to brutalist concrete in all its forms. But fashion has been a cruel mistress, and four decades later things are not going well for Sir Lucien and his loyal(ish) employees. With no money and no commissions, times are tough – but it’s onwards and upwards (and upwards again) for the staff, as they go all out to win new contracts, deal with nightmare clients and fight to get their ambitious projects past the planners.