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The Upanishads represent the loftiest heights of ancient Indo-Aryan thought and culture. They form the wisdom portion or Gnana-Kanda of the Vedas, as contrasted with the Karma-Kanda or sacrificial portion. In each of the four great Vedas known as Rik, Yajur, Sama and Atharva there is a large portion which deals predominantly with rituals and ceremonials, and which has for its aim to show man how by the path of right action he may prepare himself for higher attainment.

The Jewel of Seven Stars is a horror novel by Irish writer Bram Stoker, first published by Heinemann in 1903. The story is a first-person narrative of a young man pulled into an archaeologist's plot to revive Queen Tera, an ancient Egyptian mummy. It explores common fin de siècle themes such as imperialism, the rise of the New Woman and feminism, and societal progress.

"Yah! Yah! Yah!" written by Jack London: He was a whiskey-guzzling Scotchman, and he downed his whiskey neat, beginning with his first tot punctually at six in the morning, and thereafter repeating it at regular intervals throughout the day till bedtime, which was usually midnight. He slept but five hours out of the twenty-four, and for the remaining nineteen hours he was quietly and decently drunk. During the eight weeks I spent with him on Oolong Atoll, I never saw him draw a sober breath.

The Lost World is a science fiction novel by British writer Arthur Conan Doyle, published in 1912, concerning an expedition to a plateau in the Amazon basin of South America where prehistoric animals still survive. It was originally published serially in the Strand Magazine and illustrated by New-Zealand-born artist Harry Rountree during the months of April-November 1912. The character of Professor Challenger was introduced in this book. The novel also describes a war between indigenous people and a vicious tribe of ape-like creatures.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

No one could have recognized this village of ours a little over a hundred years ago: a hamlet it was, the poorest kind of a hamlet. Half a score of miserable izbas, unplastered, badly thatched, were scattered here and there about the fields. There was not an enclosure or decent shed to shelter animals or wagons.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. HOW THE TWO IVANS QUARRELLED: A fine pelisse has Ivan Ivanovitch! splendid! And what lambskin! deuce take it, what lambskin! blue-black with silver lights. I'll forfeit, I know not what, if you find any one else owning such a one.

When the wife of Golden Walter betrays him for another man, he leaves home on a trading voyage to avoid the necessity of a feud with her family. However, his efforts are fruitless, as word comes to him en route that his wife's clan has killed his father. As a storm then carries him to a faraway country, the effect of this news is merely to sunder his last ties to his homeland. Walter comes to the castle of an enchantress, from which he rescues a captive maiden in a harrowing adventure (or rather, she rescues him).

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. THE MYSTERIOUS PORTRAIT: Nowhere did so many people pause as before the little picture-shop in the Shtchukinui Dvor. This little shop contained, indeed, the most varied collection of curiosities. The pictures were chiefly oil-paintings covered with dark varnish, in frames of dingy yellow.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. THE CLOAK: In the department of - but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person.

Taras Bulba is a romanticized historical novella by Nikolai Gogol. It describes the life of an old Zaporozhian Cossack, Taras Bulba, and his two sons, Andriy and Ostap. The sons study at the Kiev Academy and then return home, whereupon the three men set out on a journey to the Zaporizhian Sich (the Zaporizhian Cossack headquarters, located in southern Ukraine), where they join other Cossacks and go to war against Poland

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. THE CALASH: The town of B had become very lively since a cavalry regiment had taken up its quarters in it. Up to that date it had been mortally wearisome there. When you happened to pass through the town and glanced at its little mud houses with their incredibly gloomy aspect, the pen refuses to express what you felt.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls).

A pampered millionaire's son tumbles overboard from a luxury liner and falls into good fortune, disguised in the form of a fishing boat. The gruff and hearty crew teach the young man to be worth his salt as they fish the waters off the Grand Banks of Newfoundland. Brimming with adventure and humor.

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy Aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

Le Grand Meaulnes is a story of the end of youth, with its sense of wonder and idealism, and the transition to adulthood and experience. In a story which exquisitely blends realism with a hint of fantasy, Augustin Meaulnes is haunted by the memory of a beautiful girl briefly encountered in a fantastic 'domain'. However, Meaulnes finds himself unable to return there both physically and emotionally. An acknowledged modern classic, Le Grand Meaulnes is offered here in a new translation which is more sympathetic to the poetic original than previous editions.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.