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Daniel Russell war erst 13 Jahre alt, als sein Vater versuchte, sich selbst und seinen Sohn zu töten. Er fuhr von einer Brücke direkt in die Fluten des Moon Lake in Ost-Texas. Doch wie durch ein Wunder überlebte der Junge. Jahre später, nachdem er neue Informationen über sein Kindheitstrauma erhalten hat, kehrt Daniel zurück an den Moon Lake. Er hofft, das Auto und die Knochen seines Vaters bergen zu können.

The sixteen stories and two screenplays that make up Volume One of the Emmy® award-winning Netflix Original series Love, Death & Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher. Stories and screenplays by Alastair Reynolds, Alberto Mielgo, Claudine Griggs, David W. Amendola, Joe Lansdale, John Scalzi, Ken Liu, Kirsten Cross, Marko Kloos, Michael Swanwick, Peter F. Hamilton, Steven Lewis, and Vitaliy Shushko.

Spanning over twenty years, 20 masters and modern authors of hardcore horror share their most bad-ass stories in this special edition from Red Room Press. Many hard to find and out of print, some that were banned, Necro Files covers every imaginable mode of mayhem with stories that dial into the dark side of human nature.

In this rollicking, rollercoaster ride of a novel, Hap Collins and Leonard Pine take a break from their day jobs to search for Florida Grange, Leonard's drop-dead gorgeous lawyer and Hap's former lover, who has vanished in the Klan-infested East Texas town of Grovetown. Before she disappeared, Florida was digging up some dirt behind the mysterious jailhouse death of a legendary black bluesman's son, who was in possession of some priceless blues recordings. To Hap and Leonard, something doesn't smell right.

Daniel Russell was only 13 years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash - and growing into adulthood - Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.

Exit Wounds is a thrilling anthology of crime stories written by masters of the genre, including Dean Koontz, Val McDermid, Lee Child, Jeffery Deaver, Elly Griffiths, Dennis Lehane, Joe R. Lansdale, and others.

Hap Collins has just returned home from a gig working on an off shore oil rig. With a new perspective on life, Hap wants to change the way he's living, and shoot the straight and narrow. That is, until the man who stole Leonard Pine's boyfriend turns up headless in a ditch and Leonard gets fingered for the murder. Hap vows to clear Leonard's name, but things only get more complicated when Leonard's ex shows up dead, too.

A comet, red and smiling with jagged teeth, flashes across the sky. People try to leave but find they are trapped by some acidic goo surrounding the entire drive-in. They grow hungry, homicidal, and suicidal. Then along comes the Popcorn King, a jiving, rhyming creature formed by blue-white lightning, with four arms and a popcorn bucket on its head.

Y’ALL AIN’T RIGHT is an anthology of Southern Extreme Horror stories featuring 17 of the best extreme horror authors in the genre. From gator infested swamps to the overgrown backwoods, be careful how far you venture off of the main road. And if you hear banjos… well, you better paddle faster!

How lucky do you feel? Matthew Sellers revealed the truth of Limbus, Inc. to the world, and in his tales of time travelers, intergalactic beings, and human sacrifice, he thought he had told it all. But the story of the shadowy employment agency that operates on the edge of the abyss, always finding the perfect person for the perfect job - no matter what the cost - had only begun. This shared-world anthology continues the story of Limbus, Inc., as told by five masters of horror, fantasy, and science fiction.

If there’s one thing Hap Collins and Leonard Pine like, it’s trouble - and they especially like getting paid to find it. So when their friend and sometime boss Marvin Harmon asks the boys to look into a cold-case double homicide, they’re happy to oblige. It turns out that both victims were set to inherit some serious money, and one of them ran with an honest-to-goodness vampire cult. The more closely Hap and Leonard look over the crime-scene photos, the more trouble they see.

Only Hap and Leonard would catch a cold case with hot cars, hot women, and ugly skinheads. The story starts simply enough when Hap, a former '60s activist and self-proclaimed white trash rebel, and Leonard, a tough black, gay Vietnam vet and Republican with an addiction to Dr. Pepper, are working a freelance surveillance job in East Texas. The uneventful stakeout is coming to an end when the pair witness a man abusing his dog.

As a liberal young man in East Texas, Hap Collins is discovering his passion for two-fisted justice in a redneck world. Leonard Pine - black, gay, and the ultimate outsider - is already fighting his own battles against racists and bullies. So when Hap sees Leonard demolishing an angry mob with his fists (and taunts), it’s immediately clear that these two young men have a lot in common.

Hap Collins is an east Texas redneck, with a liberal bent, and a weakness for Texas women. Leonard Pine is a black, gay, Vietnam veteran. Not who you'd normally pick for best friends but there you go. Together they share an affinity for the martial arts and are a bundle of trouble, but trouble is what they love.

Minnie Polson is dead. Burned to a crisp in a fire so big and bad it had to be deliberate. The only thing worse is that Hap and Leonard could have prevented it. Maybe. Minnie had a feeling she was being targeted, shaken down by some shadowy force. However, when she’d solicited Hap & Leonard, all it took was one off color joke to turn her sour and she’d called them off the investigation. Wracked with a guilty conscience, the two PIs—along with Hap’s fleet-footed wife, Brett—tuck in to the case.

Booklist called them "two of the unlikeliest but most likable amateur detectives in crime fiction." The Chicago Tribune describes them as "colorful... lunatic... like a twister.". They're Hap Collins and Leonard Pine, and if you've been reading Joe R. Lansdale's Hap & Leonard novels like Mucho Mojo, The Two-Bear Mambo, and Rumble Tumble, then this is the treat you've been waiting for.

Even though a midlife crisis just crashed into Hap Collins like a runaway pickup, he's still got his job, he knows his best friend, Leonard Pine, will always be there for him, and, of course, he's got his main squeeze, Brett Sawyer. Things hit a new low, however, when Brett's daughter, Tillie, who's been walking on the wrong side of the law, suddenly stands in need of a rescue. It won't be easy - it never is - but nothing is going to stop Hap and Leonard as they hit the road destined for Hootie Hoot, Oklahoma.

Hap Collins, chicken plant guard, saves a young woman's life, and her father, owner of the chicken plant, rewards him with a large cash bonus. Hap and his best friend, Leonard Pine, head for a cruise to Mexico and the Caribbean. Not matching up to the exacting dress code of the on-board lobster restaurant, Leonard soon causes the pair to be abandoned in Mexico.

Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is Black, gay, and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights, and just go fishing - all the while confronting racists, righting wrongs, and eating a whole lot of delicious food.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.