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Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written.

Professional biographer Carl Rollyson has pioneered a new kind of biography for children and adults alike. His narrative of Marie Curie's life is rendered in simple, precise prose. Each chapter is designed to provoke further discussion and research into the life and career of one of the century's greatest scientists and - as Rollyson shows - one of the most important figures in human history.

This first biography of Susan Sontag (1933-2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer’s life and career. The authors base this revision on Sontag’s newly released private correspondence, including emails, and the letters and memoirs of those who knew her best.

Picasso has often been called the greatest artist of this century. This biography defines his greatness: his accomplishment and versatility as a painter, sculptor, graphic artist, ceramicist, and designer. Most of the innovations in 20th century art are associated not only with his work but with the legend he built of himself as the quintessential modern artist.

With the publication of Susan Sontag's diaries, the development of her career can now be evaluated in a more genetic sense, so that the origins of her ideas and plans for publication are made plain in the context of her role as a public intellectual who is increasingly aware of her impact on her culture. In Understanding Susan Sontag, Carl Rollyson not only provides an introduction to her essays, novels, plays, films, diaries, and uncollected work published in various periodicals, he now has a lens through which to reevaluate her classic texts.

By the end of The Life of William Faulkner, Volume 1, the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second volume of Carl Rollyson’s ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts and numerous mouths to feed and funerals to fund.

The first biography of Martha Gellhorn, produced during her lifetime. This comprehensive biography provides crucial information about her early life in St. Louis, her travels abroad, her work for the Federal Emergency Relief Administration, her meeting and subsequent storied marriage to Ernest Hemingway, and her decision to leave him and resume her career as novelist and war reporter.

Integrating Faulkner’s screenplays, fiction, and life, Rollyson argues that the novelist deserves to be reread not just as a literary figure but as a still-relevant force, especially in relation to issues of race, sexuality, and equality. The culmination of years of research in archives that have been largely ignored by previous biographers, The Life of William Faulkner offers a significant challenge and an essential contribution to Faulkner scholarship.

In Marilyn Monroe Day by Day: A Timeline of People, Places, and Events, Carl Rollyson provides a documentary approach to the life and legend of this singular personality. With details of her childhood, her young adult years, her ascent to super-stardom, and the hour-by-hour moments leading to her tragic early death, this volume supplements - and, in some cases, corrects - the accounts of previous biographies.

Drawing on the rich literature of historiography (including the writings of R. G. Collingwood and Herbert Butterfield), and on a wide-ranging body of scholarship on the historical novel (including discussions of Scott, Thackeray, and Conrad), Rollyson shrewdly probes Faulkner's dynamic and changing uses of the past. Also taking advantage of his own work as a biographer, Rollyson has updated, revised, and expanded his original book - extending his dialogue with recent Faulkner critics.

The late Michael Foot, once leader of the Labour party, lives on as a major figure in British political history, although he is best remembered as a fiery and eloquent standard-bearer for socialist beliefs and policies.

This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects, and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.

Carl Rollyson's Biography: A User's Guide is an informative and entertaining text for those interested in biography. No aspect of the genre, from A to Z, goes uncovered: issues around authorized and unauthorized biography, censorship, libel, fair use, public domain (referred to as "PD" by publishers and editors), and a great deal more - including examples drawn from published biographies, as well as general and specific assessments of the biographer's art.

Biography as a literary genre is largely the product of the 18th century and of one seminal work, James Boswell's Life of Samuel Johnson (1791). Boswell's innovations revolutionized the genre and made it the target of suppression and censorship. He sought not only to memorialize a great man but also to reveal his flaws. Boswell reported long stretches of Johnson's conversation, noted his mannerisms, and in general gave an intimate picture such as no biography had ever before dared to attempt.

The first book to survey the broad range of Ms. Sontag's work, including full discussions of her fiction. One can ask for no better guidebook.

The Literary Legacy of Rebecca West is the first book to explore the entire corpus of her extraordinary 71-year writing career. The general introductory studies of West are outdated and do not take into account her posthumous publications, or her large literary archive of unpublished letters and manuscripts. Previous scholarly books have chopped West up into categories and genres instead of following the evolution of her career.

This volume represents more than 25 years of writing about female icons and biography. Rollyson provides the bits and pieces that resulted not only in his biography of Marilyn Monroe but also in much of the work he has subsequently done on Lillian Hellman, Martha Gellhorn, Rebecca West, Susan Sontag, and on the nature of biography itself.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

Rollyson proposes a number of apologias for biography, including the thought that in the right hands the literary biography is a continuation of the writer's work and life. In such instances, there seems to be a symbiosis between the biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action.