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Carlota Moreau: A young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula, the only daughter of a genius—or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol, an outcast who assists Dr Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas with plentiful coffers. The hybrids: The fruits of the Doctor's labour are a motley group of part-human, part-animal monstrosities.

There is a Japanese-Mexican-American matadora in town for a bull-fighting competition; an ex-guerrilla now working as a waitress in the hotel coffee shop; a Korean manufacturer with an underage mistress ensconced in the honeymoon suite; an international adoption lawyer of German descent; a colonel who committed atrocities during his country’s long civil war; and a Cuban poet who has come with his American wife to adopt a local infant. With each day, their lives become further entangled, resulting in the unexpected - the clash of histories and the pull of revenge and desire.

Good Night Stories for Rebel Girls: 100 Immigrant Women Who Changed the World is the third book in the New York Times best-selling series for children. Packed with 100 all-new bedtime stories about the lives of incredible female figures from the past and the present, this volume recognises women who left their birth countries for a multitude of reasons: some for new opportunities, some out of necessity. Listeners will whip up a plate with Asma Khan, strategize global affairs alongside Madeleine Albright, venture into business with Rihanna and many more.

Good Night Stories for Rebel Girls: 100 Immigrant Women Who Changed the World is the third book in the New York Times best-selling series for children. Packed with 100 all-new bedtime stories about the lives of incredible female figures from the past and the present, this volume recognizes women who left their birth countries for a multitude of reasons: Some for new opportunities, some out of necessity. Listeners will whip up a plate with Asma Khan, strategize global affairs alongside Madeleine Albright, venture into business with Rihanna, and many more.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

The seven houses in these seven stories are empty. Some are devoid of love or life or furniture, of people or the truth or of memories. But in Samanta Schweblin’s tense, visionary tales, something always creeps back in: a ghost, a fight, trespassers, a list of things to do before you die, a child’s first encounter with a dark choice or the fallibility of parents.

What happens when you pack almost a dozen jails, bulging at the seams with society’s cast-offs, onto a spit of landfill purposefully hidden from public view? Prize-winning journalists Graham Rayman and Reuven Blau have spent two years interviewing more than 130 people comprising a broad cross section of lives touched by New York City's Rikers Island prison complex—from incarcerated people and their relatives, to officers, lawyers, and commissioners, with stories spanning the 1970s to the present day. The portrait that emerges calls into question the very nature of justice in America.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

It’s no secret that we are overworked, overpressured, and edging burnout. Unsurprisingly, this fact is as old as time - and that’s why we see so many prayer circles within a multitude of church traditions. These gatherings are a trusted space where people seek help, hope, and peace, energized by God and one another. This book, curated by acclaimed author Sarah Bessey, celebrates and honors that prayerful tradition in a literary form.

An exquisite new collection from a Pulitzer Prize-winning master of the short story, the culmination of a five-decade career: work that takes us beneath the placid surface of suburban life into the elusive strangeness of the everyday.

Seraphina Ramon will stop at nothing to find out the truth about why her sister Eff is in a coma after a very suspicious "accident." Even if it means infiltrating the last place Seraphina knows Eff was alive: a once-abandoned amusement park now populated by a community of cultists. Follow Seraphina through the mouth of the Goblin: To the left, a wolf-themed roller coaster rests on the blackened earth, curled up like a dead snake. To the right, an animatronic Humpty Dumpty falls off a concrete castle and shatters on the ground, only to reform itself moments later.

Growing up in the ’90s along Clement Moore Avenue in Queens, Brisma and Kelly are two young Latinas with an inseparable bond, sharing everything and anything with each other. The girls are opposites: Brisma is sweet, sensitive, and observant, whereas Kelly is free-spirited, flirtatious, and bold. But together, they binge on Sour Patch Kids, listen to Boyz II Men cassette tapes, and dance to Selena and Mariah Carey where no one can see them.

Told with penetrating insight, humor, and unexpected tenderness, Wait is a story about a family swimming against the social currents that erode bonds: housing precarity, immigration systems, and inherited wealth. But it is also a story about love, wit, and sisterhood, and how two sisters cling to each other in the midst of cataclysmic change, all the while dreaming about a better future.

In a small dorm room at a liberal arts college in Vermont, a young woman settles into the warm blue light of her desk lamp before calling the mother she left behind in northeastern Brazil. Four thousand miles apart and bound by the angular confines of a Skype window, they ask each other a simple question: what’s the news? Offscreen, little about their lives seems newsworthy. The daughter writes her papers in the library at midnight, eats in the dining hall with the other international students, and raises her hand in class to speak in a language the mother cannot understand.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.

Twelve-year-old Ana wants nothing more than to escape the future set for her and her classmates in her small mining village. Boys her age are beginning to leave school to become silver miners and girls her age are destined to one day be the wives of miners. But when her often ill 11-year-old brother is forced by their demanding father to start work in the mines, Ana gives up her dreams of school to volunteer in his place. The world of silver mining though is dark and dangerous and the men who work there don't want a girl in their way.

Night after night, a young girl watches her mami set up a cot in the living room for guests in their Washington Heights apartment, like Raquel (who's boring) and Edgardo (who gets crumbs everywhere). She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it's finally her chance! But as it turns out, sleeping on the cot in the living room isn't all she thought it would be.

Thirty diverse, award-winning authors and illustrators - including Renee Watson (Piecing Me Together), Grace Lin (Where the Mountain Meets the Moon), Meg Medina (Merci Suarez Changes Gears), and Adam Gidwitz (The Inquisitor's Tale) - engage young people in frank discussions about racism, identity, and self-esteem. Featuring stories filled with love, acceptance, truth, peace, and an assurance that there can be hope for a better tomorrow, The Talk is an inspiring anthology and must-have resource published in partnership with Just Us Books.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.