Zeigt Titel in Magischer Realismus

Clementine forms a plan to keep her heart safe: work hard, find someone decent to love, and try to remember to chase the moon. The last one is silly and obviously metaphorical, but her aunt always told her that you needed at least one big dream to keep going. And for the last year, that plan has gone off without a hitch. Mostly. The love part is hard because she doesn’t want to get too close to anyone—she isn’t sure her heart can take it. And then she finds a strange man standing in the kitchen of her late aunt’s apartment.

In a village at the edge of the wilderness of Northern Russia, where the winds blow cold and the snow falls many months of the year, a stranger with piercing blue eyes presents a new father with a gift - a precious jewel on a delicate chain, intended for his young daughter. Uncertain of its meaning, the father hides the gift away, and his daughter, Vasya, grows up a wild, willful girl, to the chagrin of her family. But when mysterious forces threaten the happiness of their village, Vasya discovers that she may be the only one who can keep the darkness at bay.

In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels.

The postcard has been held at the sorting office for 91 years, waiting to be delivered to Joe Tournier. On the front is a lighthouse - Eilean Mor, in the Outer Hebrides. Joe has never left England, never even left London. He is a British slave, one of thousands throughout the French Empire. He has a job, a wife, a baby daughter. But he also has flashes of a life he cannot remember and of a world that never existed - a world where English is spoken in England and not French.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. The taverna is the only place that Kostas and Defne can meet in secret, hidden beneath the blackened beams from which hang garlands of garlic and chilli peppers, creeping honeysuckle, and in the centre, growing through a cavity in the roof, a fig tree. The fig tree witnesses their hushed, happy meetings; their silent, surreptitious departures. The fig tree is there, too, when war breaks out, when the capital is reduced to ashes and rubble, when the teenagers vanish.

Rare-book dealer Ashlyn Greer’s affinity for books extends beyond the intoxicating scent of old paper, ink, and leather. She can feel the echoes of the books’ previous owners—an emotional fingerprint only she can read. When Ashlyn discovers a pair of beautifully bound volumes that appear to have never been published, her gift quickly becomes an obsession. Not only is each inscribed with a startling incrimination, but the authors, Hemi and Belle, tell conflicting sides of a tragic romance.

Von einem attraktiven Erzengel in dessen Palast gebracht zu werden klingt romantischer, als es ist. Zumal Leonora diesen Palast niemals freiwillig betreten hätte. Denn der Erzengel ist niemand anderes als Luzifer, der Herrscher der Hölle. Wer glaubt schon dem Teufel, dass er einem das Leben retten und einen vor den anderen Engeln beschützen möchte? Leonora jedenfalls nicht, zumal Luzifer nicht ganz uneigennützig handelt. Ein Fluch lastet auf ihm und Leonora ist der Schlüssel, um diesen zu brechen.

Thomas Post ist gewissermaßen ein Vorgänger Joe Haaks, des Protagonisten aus John Ironmongers Weltbestseller "Der Wal und das Ende der Welt". Doch wo Joe das Leben durch einen Algorithmus rettet, steht Thomas noch vor dem unberechenbaren Rätsel des Zufalls. Geschieht alles aus einem bestimmten Grund? Azaleas Mutter starb an einem Mittsommertag. Genau wie ihr Großvater, ihre Stiefeltern und einer der Männer, die ihr Vater sein könnten. Folgt diese Kette von Zufällen einem bestimmten Muster? Und wird sie selbst an einem 21. Juni sterben?

Enter a school of magic unlike any you have ever encountered. There are no teachers, no holidays, friendships are purely strategic and the odds of survival are never equal. Once you’re inside, there are only two ways out: you graduate or you die. El Higgins is uniquely prepared for the school’s many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school. Except, she might accidentally kill all the other students, too.

A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

Südindien im 14. Jahrhundert: Die neunjährige Waise Pampa Kampana wird von der Göttin Parvati auserkoren, ihre menschliche Hülle und ihr Sprachrohr in die Welt zu sein. Im Auftrag der Göttin erschafft Pampa aus einer Handvoll Samen eine Stadt: Bisnaga – Victory City, das Wunder der Welt. All ihr Handeln beruht auf der großen Aufgabe, die ihr die Göttin gestellt hat: den Frauen in einer patriarchalen Welt eine gleichberechtigte Rolle zu geben. Aber die Schöpfungsgeschichte Bisnagas nimmt mehr und mehr ihren eigenen Lauf.

Für die 17-jährige Vivien zählen die Sommertage, die sie bei ihrem Vater in einem kanadischen Nationalpark verbringt, zu den schönsten im Jahr. Doch dann begegnet sie dem gut aussehenden Liam, ihrem Freund aus Kindertagen, und nichts ist mehr wie zuvor. Scheinbar ohne Grund verhält er sich ihr gegenüber kühl und distanziert. Als sie durch Zufall das seltsame Brandmal auf seiner Brust entdeckt, wendet er sich ganz von ihr ab. Vivien beschließt, Liams Geheimnis zu lüften - und kommt ihm dabei gefährlich nahe.

Ein zwölfjähriges Mädchen entdeckt nach einer Vorstellung der Augsburger Puppenkiste im Foyer des Theaters eine kleine Holztür, öffnet sie und gerät wie Alice im Wunderland in eine Märchenwelt, in der viele Freunde warten: die Prinzessin Li Si, Kater Mikesch, Lukas, der Lokomotivführer und viele andere. Vor allem aber trifft es dort Hatü, die Frau, die einst mit ihrem Vater all diese Marionettenfiguren geschnitzt und gebaut hatte und die eine große Geschichte zu erzählen hat: die Geschichte dieses einmaligen Theaters und der Familie, die es erfunden, gegründet und berühmt gemacht hat.

Caitlyn is settling into life as a novice witch in an English village chocolate shop - although she's finding the hardest magic to master is making caramel sauce without burning it! When two men are murdered, and a ghostly black hound is seen haunting the countryside, the village gossips are sure dark witchcraft is to blame.

With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.

Escucha el best seller que encandiló al mundo. Una novela que sabe a clásico. No siempre tenemos a mano los ingredientes de la felicidad. Tita lo había aprendido desde pequeña, cuando crecía en la cocina con Nacha y se le negaba toda posibilidad de vida propia desde su nacimiento.

This is the story of a man who embarks on a highly provocative intellectual adventure with a gorilla - a journey of the mind and spirit that changes forever the way he sees the world and humankind’s place in it. In Ishmael, which received the Turner Tomorrow Fellowship for the best work of fiction offering positive solutions to global problems, Daniel Quinn parses humanity’s origins and its relationship with nature, in search of an answer to this challenging question: How can we save the world from ourselves?

Combine an offbeat cast of characters with Murakami's idiosyncratic prose, and the result is the remarkable story Dance Dance Dance: high-class call girls billed to MasterCard, a psychic 13-year-old dropout has a passion for talking heads, and meet a hunky matinee idol doomed to play dentists and teachers. Don’t forget the one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

Colombo, 1990. Maali Almeida, war photographer, gambler and closet queen, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the Beira Lake and he has no idea who killed him. At a time when scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts who cluster around him can attest. But even in the afterlife, time is running out for Maali.

An advertising executive receives a postcard from a friend and casually appropriates the image for an advertisement. What he doesn’t realize is that included in the scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man who offers a menacing ultimatum: find the sheep or face dire consequences.