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It is 1862, though not the 1862 it should be. Time has been altered, and Sir Richard Francis Burton, the king's agent, is one of the few people who know that the world is now careening along a very different course from that which Destiny intended. When a clockwork-powered man of brass is found abandoned in Trafalgar Square, Burton and his assistant, the wayward poet Algernon Swinburne, find themselves on the trail of the stolen Garnier Collection of black diamonds.

Several thousand years from now, advanced humanoids known as the Makers will implant clockwork devices into our heads. At the cost of a certain amount of agency, these devices will permit us to move unhindered through time and space, and to live complacent, well-regulated lives. However, when one of these devices goes awry, a "clockwork man" appears accidentally in the 1920s, at a cricket match in a small English village. Comical yet mind-blowing hijinks ensue.

In The Nine Pound Hammer, John Bemis introduced middle-grade listeners to a whole new approach to epic fantasy, founded on characters and themes from American mythology and lore, including the legend of John Henry. Now in the third and final book, the heroes come together at the 1893 World's Fair in Chicago for a final confrontation with a businessman and tycoon who is in fact an ageless evil known as the Gog. With his Dark Machine, he intends to bend the world to his ruthless vision of progress and efficiency.

Unique to this title is: A Historical Introduction, an Overview, and an Analysis of The Main Characters. You may of course skip all of it and go straight to the main title if you do not want any spoilers and come back later to the beginning. The story of The Clockwork Man takes place in 1920 when a strange man appears during a village cricket match. As one of the teams is a player short, the captain of the team recruits the stranger as a substitute for the missing man. The man looks very unusual.