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In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification').

Aristotle's Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry, epic poetry, and the dithyramb). He examines its "first principles" and identifies its genres and basic elements. His analysis of tragedy constitutes the core of the discussion.

Aristotle's Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise on literary theory. The philosopher presents a treatise on what he defines as poetry, which includes verse drama, the satyr play, lyric poetry, and epic poetry.

Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry).

Poetics and Rhetoric are the two major works by Aristotle which, after more than 2,000 years, remain key behavioural handbooks for anyone interested in story, performance, presentation and indeed psychology. The continuing influence of Poetics, for example, is readily discernible even among the scriptwriters of Hollywood!

Writing successful screenplays that capture the public imagination requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method.

Discover the timeless works of Aristotle, one of the most influential philosophers, whose insights continue to shape modern thought. The Complete Aristotle Collection is your gateway to the teachings that have endured for over two millennia.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Seine Texte sagen mehr als tausend Worte. Als Yva von einem Tag auf den anderen eine neue Wohnung in Stockholm finden muss, kommt das Apartment neben der WG ihres besten Freundes wie gerufen. Womit sie nicht gerechnet hat, sind die sanften Gitarrenklänge, die nachts durch die Wand dringen: Fenn, ihr wortkarger Nachbar, ist leidenschaftlicher Singer-Songwriter. Tief berührt lauscht Yva seiner Musik in der Dunkelheit, bis sie ein unerwartetes Post-it von Fenn an der Tür entdeckt. Sie antwortet - und mit jeder weiteren Nachricht schreiben sie Zeile für Zeile ihren gemeinsamen Song.

Wir alle kennen es, dieses Gefühl, dass ein Taylor-Swift-Song alles besser machen kann. Ob Herzschmerzerinnerungen, Schmetterlinge-im-Bauch-Augenblicke oder die typischen Durchs-Schlafzimmer-Tanzen-und-in-die-Haarbürste-Singen-Momente - Taylors Songs sind der perfekte Begleiter für Romantiker:innenherzen und Datingrealist:innen. Unsere LOVE POETS SOCIETY hat es sich zur Aufgabe gemacht, genau diese Gefühle in 13 romantischen Kurzgeschichten einzufangen.

Unlock the profound wisdom of Aristotle like never before. This audiobook presents a modern, clear, and easy-to-understand English translation of Aristotle’s most influential works—perfect for students, lifelong learners, and anyone curious about philosophy, politics, science, and the nature of human life.

Penguin presents the unabridged, downloadable audiobook edition of Letters to a Young Poet by Rainer Maria Rilke, read by Max Deacon and Dan Stevens. At the start of the 20th century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering and the nature of advice itself; these profound and lyrical letters have since become hugely influential for writers and artists of all kinds.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

Aristotle's Poetics (335 BCE) is the earliest surviving work of dramatic theory and first surviving philosophical treatise on dramatic or literary theory. The work begins with a preliminary discourse on tragedy, epic poetry, and comedy as the chief forms of imitative poetry. By "imitative", Aristotle means the imitation of action in words as a creative process. He distinguishes comedy, tragedy, the satyr play, lyric poetry, and epic poetry by their differences in musical rhythm, harmony, meter, melody, nature of the characters, and the manner in which the narrative is presented.

In his Poetics, Aristotle puts forward that everything we create is a kind of imitation of life, merely using different types of media, objects and manners, whether painting, music, or language. We shape the images, sounds or words to make some particular point and tell a unique story. But if you want an audience to respond to what you have to say, whatever you create must be connected logically to the real world. The rules of doing this successfully are laid out in Poetics.

Perhaps the most important book in philosophy after the Allegory of the Cave. Incomparable logic and findings about the things that matter in life with a clear succinct prose touch.

English literature is a treasure trove of wonderful poetry. From Shakespeare to Milton, Keats to Shelley and Tennyson to Yeats, this accessible history (especially written for Naxos Audiobooks) introduces the listener to countless small masterpieces, including all the old favorites and some lesser-known gems. Whitfield explores this most expressive of art forms and traces the historical development of a rich and diverse canon of poetical works.

Aristotle was a Greek philosopher and polymath during the Classical period in Ancient Greece. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics and government.

Why has psychoanalysis long been kept at the margins of environmental criticism despite the theories of eco-Marxism, queer ecology, and eco-deconstruction available today? What is unique, possibly even traumatic, about eco-psychoanalysis? The Environmental Unconscious addresses these questions as it provides an innovative and theoretical account of environmental loss focused on the counterintuitive forms of enjoyment that early modern poetry and psychoanalysis jointly theorize.

The Art of Rhetoric, a guide on the principles behind oratorical skill, is a core text on the art of persuasion. Aristotle contends that rhetoric is one of the key elements of philosophy – along with logic and dialectic. The work consists of three books: the first is a general overview, the second concerns the means of persuasion that an orator must deploy, and the third discusses elements of style and arrangement.