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Felix Olliphant was found stabbed to death at a New Year's Eve costume party for the turn of the millennium. Seemingly liked by everyone, motives for his murder are hard to find. There was one suspect, but no evidence. Hillary struggles to solve this baffling case. And she has to contend with a new colleague, Jake Barnes. Young and rich, he says he wants to give something back to the community, but Hillary has her doubts. Will Hillary finally be defeated by this cold case and will she lose her boss and love interest to a new job?

Gaslights shimmer as fog descends upon the stark landscape of Whitechapel, London. Out of the darkness, a menacing phantom stalks. Seven women’s bodies cool on mortuary tables, all victims to Jack the Ripper’s blade. But who was he? The city searches for the mysterious killer's identity to no avail while four men meet in secret. Ousted from society, cast away for crimes committed for personal gain, their choices will shape what the city becomes.

Discovered by his young altar server, Father O's body lay on the floor of the sacristy - his throat slit. And so Monona Quinn, editor of the weekly Mitchell Doings, finds herself writing a profile of a dead man for the second time in three months. And just like last time, Mo become obsessed with uncovering his killer, regardless of her husband's misgivings and her own safety.

On a November night in 1990, Cathy Robertson is murdered in her home outside Chillicothe, Missouri. After law enforcement conduct a haphazard investigation, the sheriff’s office puts the case in the hands of a Kansas City private eye with his own agenda. In a close-knit town still reeling from the aftereffects of the farming crisis, friends and neighbors abruptly fracture into opposing camps. Mark Woodworth, a Robertson family neighbor, eventually receives four life sentences for a crime that a growing group of local supporters believe he didn’t commit.

Murder at Midnight was an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was syndicated beginning in 1946. The show's writers included Robert Newman, Joseph Ruscoll, Max Ehrlich and William Norwood, and it was directed by Anton M. Leder. The host was Raymond Morgan, who delivered the memorable lines of introduction over Charles Paul's effective organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death ...

Murder at Midnight was an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was syndicated beginning in 1946. The show's writers included Robert Newman, Joseph Ruscoll, Max Ehrlich and William Norwood, and it was directed by Anton M. Leder. The host was Raymond Morgan, who delivered the memorable lines of introduction over Charles Paul's effective organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death ...

Produced in New York, Murder at Midnight came to ABC Radio in September of 1946 and featured horror stories with supernatural twists. Raymond Morgan, a former Long Island minister who had left the cloth for the excitement of radio, was the foreboding host who each week uttered the lines, "Midnight, the witching hour, when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."

Fabrizio, Magnus the Magician's new servant boy, must prove his master's innocence after he is accused of plotting to overthrow the king in this suspenseful new prequel to Midnight Magic from a Newbery Medalist.

Murder at Midnight is an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was syndicated beginning in 1946. The show's writers included Robert Newman, Joseph Ruscoll, Max Ehrlich, and William Norwood,[citation needed] and it was directed by Anton M. Leader. The producer was Louis G. Cowan. The host was Raymond Morgan, who delivered the lines of introduction over Charles Paul's organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight,...

It's New Year's Eve and the stage is set for a lavish party in one of Edinburgh's best postcodes. It's a moment for old friends to set the past to rights—and move on. The night sky is alive with fireworks and the champagne is flowing. But the celebration fails to materialise. Because someone at this party is going to die tonight. Midnight approaches and the countdown begins—but it seems one of the guests doesn't want a resolution.

A delicious burger. A horrific murder. What can the waiters of the Midnight Owl do to solve the mystery? On a foggy Friday night in Los Angeles, a diverse group of young and sexy waiters discover a gruesome and horrific murder in the kitchen of L.A.’s hottest new restaurant, The Midnight Owl. Stunned by what they witnessed, the attractive gang embark on a pulse-pounding, high-octane, thrill-ride, tracking down other members of the Midnight Owl’s staff to uncover the evil truth.