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Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a ‘T’. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks – not to mention the devastation left in the wake of J.’s small fox-terrier Montmorency.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Two idiots talking about nothing and everything at the same time. Co-hosted by Shaughn "Shoe" Adamski and Dwight Stannard

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Francis Bret Harte was born on 25th August 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11, his satirical poem ‘Autumn Musings’. Expecting praise he received anything but and later wrote "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." He was instrumental in propelling the short story genre forward and brought tales of the Old West and the Gold Rush to a greater audience.

Edmund Gill Swain, born in 1861, was an English cleric and author. As a chaplain of King's College, Cambridge, he was a colleague of the scholar and author M R James. Swain is best known for his 1912 short story collection ‘The Stoneground Ghost Tales’. He died in 1938.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.

What links a clutch of sinister murders in Victorian London, an angel appearing in a Staffordshire village in the 1920s and a small boy running loose around the capital in 1950? When Honoré and Emily encounter a man who appears to have been cut out of time, they think they have the answer. But soon enough they discover that the mystery is only just beginning and that nightmares can turn into reality. Part mystery, part detective story, part dark fantasy, part science fiction... original adventures in time and space.

Between then and now poets have written verse, both serious and humorous, in attempts to keep a poetic track both of feelings and as a tribute to our four-legged friends and their adventures.

Francis Bret Harte was born on 25th August 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11, his satirical poem ‘Autumn Musings’. Expecting praise he received anything but and later wrote "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later the family moved to California. It was here that he found the stories and inspiration for the works that would seal his fame across the literary world.

Edward Everett Hale was born on April 3rd, 1822, in Boston, Massachusetts. He was a prodigy, gifted with extraordinary literary skills. At only 13 he graduated from Boston Latin School and enrolled at Harvard College. There, he settled in with the literary set, won two Bowdoin prizes and was elected Class Poet. He graduated in 1839. His literary career started quite late. It wasn’t until 1859 that he was first published in the Atlantic with his short story "My Double and How He Undid Me." In 1863 the Atlantic published perhaps his best-known work "The Man Without a Country."

Richard Garnett C.B. was born on the 27th February 1835. Educated in Bloomsbury he then joined the nearby British Museum as an assistant librarian in 1851, shortly after his father’s death. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books.

The Man Who Would Be King. This rich wonderfully written classic features two opportunists who venture into remote Central Asia with the intention of acquiring a country to rule. Their adventures meet with surprising initial success but then.....

Edith Nesbit is more famously known as a writer of children’s stories such as The Railway Children, but in this volume we explore her short stories of the macabre and ghostly sort. Not for the faint of heart, these stories, brought to your ears in eerie detail by George Irving, are just the thing for anyone who enjoys a good scare.

Saki was the pen-name of Hector Hugh Munro. One of the wittiest of all short-story writers, he was born in 1870 in Burma where his father, a Scots army officer, was stationed. He was one when the family returned to England to live in North Devon. When his mother died his father, returning to serve in India, put Hector and his brothers and sisters into the care of his own mother and two sisters. The children’s childhood with their aunts was miserable. The aunts hated each other, quarrelled fiercely, and bullied the children mentally.

Leo Tolstoy was born in 1828 in the Russian province of Tula to a wealthy noble family. As a child, he had private tutors but he showed little interest in any formal education. When he went to the University of Kazan in 1843 to study oriental languages and law, he left without completing his courses. Life now was relaxed and idle but with some writing also taking place. In 1852 ‘Childhood’ was published to immediate success and was followed by ‘Boyhood’ and ‘Youth’. His experience in the army and the horrors he witnessed resulted in ‘The Cossacks’ in 1862 and the trilogy ‘Sevastopol Tales’.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. His next was unable to emulate that success but his short stories helped provide an income. ‘The Dream of a Ridiculous Man’ is one of his many classic short stories that turn a splinter of the ordinary into the spiralling descent of chaos.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

When Kennedy spoke of landing a man on the moon it seemed an impossible task "We do this not because it is easy but because it is hard". Man was space bound and Kennedy's goal was to achieve this on many levels; to show the Soviet Union that America was the pre-eminent Superpower, to give a boost to the military industrial complex and to rally America to a common purpose and goal.