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Things We Do Not Tell the People We Love

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Things We Do Not Tell the People We Love

Von: Huma Qureshi
Gesprochen von: Aysha Kala, Tania Rodrigues
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Über diesen Titel

 'A deft, satisfying and poignant collection of stories which pivot around a moment of shock or revelation - and challenge the idea that shame can be unburdened and secrets liberated, by sharing them with others. I loved it.' PANDORA SYKES

A collection about mothers and daughters, children lost, unborn, grown up, grown apart, and the dissonance between lovers. It exposes the silences in families and the parts of ourselves we rarely reveal. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer understand each other away from home. The underlying themes of loneliness, secrets, family and displacement and also the desire to belong to someone, to some place; a yearning for love, intertwine these stories. The collection includes The Jam Maker, which has just been awarded the Harper's Bazaar Short Story Prize 2020.

(P) 2021 Hodder & Stoughton Limited©2021 Our Storytime Limited Anthologien & Kurzgeschichten Belletristik Familienleben

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Kritikerstimmen

Qureshi's stories keenly identify the everyday tragedies of feeling profoundly unknown or unheard, of holding secrets and misunderstandings . . . These tales vividly capture the experience of feeling constrained by family expectations, but also of not quite fitting the norms of British culture either . . . Qureshi takes the reader plausibly inside the inner recesses of characters' hearts and minds. Premonition beautifully recalls the intensity of a first crush, developed via "a private symphony of glances", before a bewildering first kiss leads to disaster. And she captures how such incidents can, in adulthood, seem insignificant and still life-defining . . . there are so many striking images to relish. (Holly Williams)
[Qureshi] has a wonderfully luminous, understated style of writing (Diana Evans)
A beautiful short-story collection . . . heartbreaking and hopeful.
Well told stories with well realised characters . . . Qureshi, like [Jhumpa] Lahiri, is a companionable and considered writer, and this is a collection you can read enjoyably, rain or shine. (Shahidha Bari)
Things We Do Not Tell The People We Love is a collection full of secrets and yearnings, the gaps and silences found so often in misunderstandings and miscommunications. These stories work to fill those gaps, creating found families and belonging, and showing the sides of ourselves others rarely see . . . Qureshi's writing conveys the emotions her characters cannot . . . Each story is tightly written and closely edited, ending at the perfect moment . . . Exploring different relationships - mother and daughter, friendships, young love, spouses - Qureshi pulls apart the emotions surrounding each one, making even the darker narratives relatable and evocative. (Terri-Jane Dow)
Intimate and incredibly insightful
A luscious debut . . Qureshi is a dab hand at yanking the rug out from under the reader. Her immersive, poignant stories - written mostly in understated prose - often have a sting in the tale . . I fell for this lyrical, moving collection and the woozy intensity that infuses many of its stories. Qureshi creates gripping plotlines and vividly drawn characters and - most importantly - she is a writer with something to say. (Gwendolyn Smith)
A deft, satisfying and poignant collection of stories which pivot around a moment of shock or revelation - and challenge the idea that shame can be unburdened and secrets liberated, by sharing them with others. I loved it. (Pandora Sykes)
[An] impressive debut collection
Huma Qureshi writes like a psychotherapist, considering, analysing, explaining, seeking outconflicts, evasions, and discomforts . . . The form suits her: she succeeds in a short space in describing her settings and defining her characters . . . there are notes of optimism that sound from true love; and, as always, amor vincit omnia. (Brian Martin)
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