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Pandora's Jar

Women in the Greek Myths

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Pandora's Jar

Von: Natalie Haynes
Gesprochen von: Natalie Haynes
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Über diesen Titel

'Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!' – Margaret Atwood, author of The Handmaid's Tale

This audio edition is expertly and enthusiastically read by the author, Natalie Haynes.


The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.

Antike Europa Fantasy Frauenliteratur Griechenland Märchen

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Kritikerstimmen

Reading <i>Pandora's Jar: Women in the Greek Myths</i> by Natalie Haynes: Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on! (Margaret Atwood)
If I'm ever prosecuted, I'd like Natalie Haynes to defend me. She argues persuasively, carving out space for women denied a voice (Medusa), overshadowed (Jocasta) and unjustly condemned (Helen of Troy) . . . Agile, rich, subversive, <i>Pandora's Jar</i> proves that the classics are far from dead, and keep evolving with us. (Madeleine Feeny)
Haynes is a brilliant classicist as well as a stand-up comedian and with her latest offering, <i>Pandora's Jar</i>, she has effectively written the first textbook codifying this new feminist take on the Greek myths. (Neil Mackay)
Hugely enjoyable and witty
Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies.
An erudite, funny and sometimes angry attempt to fill in the blank spaces. (Stephanie Merritt)
Natalie Haynes reclaims the women we know from Greek myth . . . from the accretions of misogyny that have become attached to their stories down the centuries. The result is the best kind of academic writing; engaged, engaging and fun (Beyoncé, Ray Harryhausen and Buffy the Vampire Slayer all turn up within).
Witty and frequently surprising (Farah Abdessamad)
Beyoncé, Star Trek, Ray Harryhausen . . . the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm. (Mark Haddon)
Witty, erudite and subversive, this takes the women of Greek myth—the women who are sidelined, vilified, misunderstood or ignored—and puts them centre stage. (Samantha Ellis, author of How to Be a Heroine and Take Courage)
Natalie Haynes is beyond brilliant. <i>Pandora’s Jar</i> is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style. (Amanda Foreman)
Natalie Haynes is the nation's muse (Adam Rutherford)
Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world. I loved it. (Kate Atkinson, author of Life After Life)
Alle Sterne
Am relevantesten
Absolutely fantastic book that made me want to get a second bachelors degree just so that I can study classics myself

For every Ancient Greece/Rome nerd

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This book was such a pleasure to read, funny, interesting, whitty and informative. I only wished it didn't end.

Absolutely fantastic

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I have always loved the Greek myths since I was a young kid and I enjoyed it very much to get some background and different views in Pandora’s box. Especially with the connection to today’s place and movies and how modern art picks up on the old stories of the Elias and so on. Although the actual stories are not re-told for themselves like in her other books, this was exciting. Thank you!

Interesting!

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As a fan of Natalie Haynes' previous works, I approached "Pandora's Jar: Women in the Greek Myths" with enthusiasm, eager to delve into a fresh perspective on the classic tales. However, my anticipation was quickly overshadowed by the book's unexpected approach.

"Pandora's Jar" aims to reexamine the roles of women in Greek mythology, an intriguing premise that promises to shed light on traditionally marginalized figures. Unfortunately, the execution fell short for me due to the persistent undertones of misandry that permeated the narrative. Instead of an enlightening exploration of mythological women, I found the commentary to be heavily laced with political views that felt out of place in the context of ancient myths.

This injection detracted from my ability to enjoy the retelling of these timeless stories. As someone who seeks to escape into the world of literature, especially when it revolves around historical or mythical narratives, the political slant presented was unwelcome. It left me feeling more alienated than educated, prompting me to return the book halfway through, a decision I rarely make.

While Haynes is undoubtedly skilled in her craft, and her intent to highlight the women of Greek myths is commendable, the approach in "Pandora's Jar" does not resonate with me.

Overall, my experience with "Pandora's Jar" was marred by disappointment. I would hesitate to recommend this book to those who prefer their mythology served without a side of contemporary social critique. However, for readers who appreciate a modern feminist reinterpretation of classical stories, this book might offer a provocative perspective.

Pandora's Jar and the Misandry Dilemma

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