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This is a reissue of National Book Award finalist Mary Gaitskill's debut collection, Bad Behavior - powerful stories about dislocation, longing, and desire that depict a disenchanted and rebellious urban-fringe generation as it searches for human connection. Now a classic, Bad Behavior made critical waves when it was first published, heralding Gaitskill's arrival on the literary scene and her establishment as a sharp, erotically charged, and audaciously funny writer of contemporary literature.

Velveteen Vargas is an 11-year-old from Brooklyn who is granted a summer vacation in the country, courtesy of the nonprofit Fresh Air Fund. Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous; and Paul, an academic who wonders what it will mean to "make a difference" in such a contrived situation.

What happens when women step out of line and take control of their own stories? Big fears, small frustrations, and the power of hope collide as seven award-winning authors explore the possibilities. From demanding equal pay to resisting a genetically engineered future, this collection offers up visions that are grimly funny, deeply touching, and chillingly conceivable.

Quin is an extrovert and a sensualist who thrives on flirtation and ambiguity. He is at his happiest when encouraging intimate confidences from the women he meets. Always clear with him about the boundaries of their own relationship, until now Margot has looked on his behaviour with a mixture of ambivalence and affection. But when Quin's actions are held up against a new light, and his life begins to unravel, Margot tries to work towards a deeper understanding of her friend, the damage he might have caused and the loyalty he deserves.

The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons - hurtful and hurting, infuriating and touching, and always deeply recognizable.

In "College Town 1980", young people adrift in Ann Arbor, Michigan, debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale "Mirror Ball", a young man steals a girl's soul during a one-night stand; and in "The Little Boy", a woman haunted by the death of her husband is finally able to grieve through a mysterious encounter with a needy child.

As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica: an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal "office kit" and a plaque that reads "Still Anal After All These Years".

Mark is the accused rapist. Miss P. is the victim, his former teacher. Moira M. is an apathetic juror. As the trial unfolds in this intense short story, three personal histories emerge, along with three alarmingly different points of view: Obsessed and angry. Menaced and disillusioned. Disaffected and searching through an unexamined life for moral conviction.

Pulitzer Prize-winner Jane Smiley details a beautiful erotic interlude in an otherwise sordid real estate deal; Mary Gaitskill celebrates the unexpected ardor of one middle-aged couple; Steve Almond reminisces about the best one-man/three-girl Ecstasy party ever; Nelson George recounts the erotic escapades that befall a young man who accompanies a celebrity athlete when he picks up a gaggle of girls; and Carol Queen explores the joys of making love with summer fruit.