Ergebnis von "E.F. Benson" in Alle Kategorien

Edward Frederic Benson (1867 – 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, best known for his masterly and uncanny ghost stories. One of the most famous of these is The Bus Conductor. It is a deceptively simple tale of a mysterious apparition which comes into view on an ordinary London street under most peculiar circumstances. The chilling catchphrase spoken by the mysterious figure: "Just room for one inside, Sir" takes on an altogether sinister meaning.

A wonderful collection of spine-tingling, imaginative, terrifying but beautifully written tales to keep you hiding under the bedclothes this Halloween.

"The Thing in the Hall", by E.F. Benson, is a rather macabre and strange story - retold by Mike Vendetti - of two friends living in London, one of whom tempts fate by inviting a spirit to visit without limiting what type of spirit he is inviting. As we know, there are "evil" spirits just awaiting a home or a victim.

E. F. Benson's (1867-1940) ghost and supernatural stories are marvellous jewels, that combine elegant writing with moments of blood-curdling horror. This collection comprises thirteen of his finest stories: The Man Who Went Too Far; The Horror Horn; The Other Bed; Gavon's Eve; The Room in the Tower; Ali Abdul's Grave; How Fear departed from the Long Gallery; The Shootings of Achnaleish; The Dust-Cloud; The Confession of Charles Linkworth; Caterpillars; At the Farmhouse; The Bus-Conductor.

Taking a winter holiday in a splendid resort in the Swiss Alps our hero finds himself billeted in a surprisingly large room, furnished with two beds. He checks with the man at the bureau, but there’s no mistake: it’s all his, a veritable snip at 12 francs a night! What a stroke of luck! And what could possibly connect this alpine idyll with Boston, Massachusetts? E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror.

A recurrent dream you have goes on for years and years. Well, actually, it’s not a dream, it is, most assuredly a nightmare. Every night in sleep, you encounter the same people, you hold the same conversations, you witness the same disturbing sights and invariably you wake up in a muck sweat, screaming, believing yourself to be in the room in the tower. But it’s just a nightmare, nothing to it, nothing remotely tangible, until… This is the premise of E. F. Benson’s celebrated ghost story, ‘

In the beautiful Villa Cascana on the Italian Riviera, all is not as it seems. Why does the hostess leave a perfectly charming bedroom unoccupied? Why does Arthur Inglis present our hero with a caterpillar in a cardboard pill-box one lunchtime? And rather more bizarrely, why do luminous, bloated and gigantic versions of this creature haunt his dreams? Or could it possibly be that he is wide awake?

While staying at a friend’s house in an apparently humdrum London suburb, the sceptical Hugh Grainger sees and then converses with an unsettling stranger from his bedroom window in the very dead of night. But what could be the meaning of this curious visitation? ‘Hold very tight, please!’ E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror. Here Greg Wagland narrates one of the best of them, for Magpie Audio.

E. F. Benson's ghost story In The Tube is posited as an exposition of a vast metaphysical question that we as human beings cannot understand. Our suppositions of time and space are taken to task. This is fiction with historical significance.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E. Nesbit, and E.F. Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E Nesbit and EF Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

Nothing escapes the snooping opera glasses of Miss Elizabeth Mapp. She whiles away her busy hours observing the small English village of Tilling, and recording the antics in her notebook. But her observations are set to be disrupted by amorous advances of two retired army generals, both vying for her affection. With Miss Mapp distracted, who will keep Miss Susan Poppit in her place or oversee the correct playing of bridge? More importantly will quiet Tilling be subject to a violent duel?

This collection contains the best of classic horror writing, with the atmospheric genius of Edgar Allan Poe, the invention and eeriness of Bram Stoker, and the suspense of Wilkie Collins amongst the terrifying gems. In this veritable schooling in the origins of modern-day horror and fantasy, some of the best minds in the history of English literature take on the world of vampires, werewolves, and the supernatural.

Here are some truly spooky stories, given a spine-tingling read by Richard Pasco. The stories include "The Mark of the Beast" by Rudyard Kipling, "Aurelia" by E.T.A. Hoffmann, "Ligeia" by Edgar Allan Poe, "Mrs. Amworth" by E.F. Benson, and "Dracula's Guest" by Bram Stoker.

With tongue firmly implanted in cheek, Benson introduces us to a world full of snobs, hypochondriacs, faddists, and social climbers. Some of the titles include "The Compleat Snob", "Aunt Georgie", "The Poison of Asps", "The Eternally Uncompromised", "The Grizzly Kittens", and "The Praisers of Past Time".

The energetic, pretentious and sometimes malicious Lucia's reign over Riseholme's gentry is challenged by a dazzling diva, a fraudulent guru and the exposur eof her faulty Italian.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.