Ergebnis von "Le Fanu" in Alle Kategorien

This eerie collection includes: "The Doll's Ghost", "Thrawn Janet", "The Watcher", "The Old Nurse's Story", and "The Canterville Ghost".

This ghostly (and ghastly) collection includes: "The Upper Berth", "The Lady's Maid", "Markheim", "Ghost Stories of the Tiled House","What Was It?", "Madame Crowl's Ghost" and "The Golden Arm".

A selection of ghost stories which make your blood run cold.

These five 19th-century ghost stories from both sides of the Atlantic provide some of the best chills in the genre. Ambrose Bierce is well-known, but "To Let" by B. M. Croker and "The Upper Berth" provide moments to tingle the spine, as does "An Account of Some Strange Disturbances" by Le Fanu.

Rats and mice, and beetles and creaky doors, and loose slates, and broken panes, and stiff drawer handles, that stay out when you pull them and then fall down in the middle of the night...Rats is bogeys, I tell you, and bogeys is rats, and don't you get to think anything else! Ghosts, vampires, werewolves and even rats, all make an appearance in this collection of frighteningly good classic stories from Bram Stoker, Charles Dickens, Rudyard Kipling and more!

Joseph Sheridan Le Fanu was one of the major figures of 19th-century supernaturalism. He helped move supernaturalist fiction away from the gothic's emphasis on external sources of terror and toward a focus on the effects of terror, thus helping to create the psychological basis for supernaturalist and horror literature that continues today. "The Familiar" is one of his most terrifying tales.

"I heard, with an unpleasant surprise, close to me, a voice that was drawling, and, I fancied, sneering, repeat the words: 'Food for worms, dead and rotten; God over all.' There was a small window in the wall, here very thick, which had been built up, and in the dark recess of this, deep in the shadow, I now saw a sharp-featured man, sitting with his feet dangling. His keen eyes were fixed on me, and he was smiling cynically...."

Carmilla, published in 1872, was one of the first vampire novels and is certainly among the most sensuous with its strong lesbian overtones. It is a classic Gothic novella set deep in the enchanted forests of Styria, a land still haunted by superstition and of course vampires. Carmilla predates fellow Irishman Bram Stoker's Dracula by 25 years, and listening to both, you will see the influence of Carmilla on Dracula.

Maud Ruthyn, the young, naive heroine, has a governess who is an enigmatic older woman, a liar, bully, and spy, who takes a dark secret with her when she leaves. Maud is then orphaned and moves in with her Uncle Silas, her father's mysterious brother and a man with a scandalous - even murderous - past. She is horrified to find her former governess appears in her life again, in this Gothic Victorian psychological thriller, with a touch of the occult.

As they ride along in their carriage, beyond them on the road they see a man hailing them to stop. It is a tall man in a cape and wide brimmed hat, and he tells Heir Gerard Dahl that he has been waiting for him to return from Rotterdam. Dahl is the uncle and guardian of Rose Falderkaust, and the caped man tells him that he will visit him tonight at seven o’clock at his studio on an urgent matter.

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

La protagonista, Laura, narra cómo su vida pasa de plácida y tranquila a desconcertante y espantosa cuando aparece Carmilla, una joven hermosa y enigmática. Laura es una joven que vive con su padre y unos criados en un antiguo castillo en las lejanías de Estiria (Austria). A menudo, recuerda cuando era una niña y estaba dormida en los brazos de una joven y se despertaba al sentir dos agujas en su pecho.

Laura lives an isolated life with her father, alone in a castle in the Austrian wilderness. When the mysterious Carmilla, a strange and beautiful lady, arrives in the night, no one suspects the supernatural occurrences that follow. But still more unsuspected is the tempestuous romance that blooms between the two young women, and Carmilla’s nightmarish secret. Written 26 years before Stoker’s "Dracula", Carmilla is the original vampire novel. Sheridan Le Fanu combines a chilling Gothic atmosphere with horrifying episodes, boldly exploring the sexual desires of his heroines, and establishing the image of the female vampire.

LA PLUS FASCINANTE DES CRÉATURES DE LA LITTÉRATURE D'ÉPOUVANTE. Cette créature venue de l'Est qui se refuse à rejoindre l'au-delà et qui, chaque nuit, s'éveille de la mort fascine les écrivains depuis plus de deux siècles. Pour le plus grand effroi et le plus grand plaisir du lecteur, ce recueil rassemble les titres suivants : La Famille du Vourdalak, Tolstoï, Vampires de la Hongrie et de ses alentours, Augustin Calmet, La Morte amoureuse, Théophile Gauthier, Le Vampire du Sussex, Conan Doyle, La Dame pâle, Alexandre Dumas, Camilla, Sheridan Le Fanu, Un Vampire, Jan Neruda, La Vampire, Jean Bouvier, La Jeune vampire, Rosny Aîné.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.