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Paradiso is the third and final part of The Divine Comedy, Dante's epic poem describing man's progress from hell to salvation. In it, the author progresses through nine concentric spheres of heaven. Corresponding with medieval astronomy, the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn deal with the four cardinal virtues Prudence, Fortitude, Justice, and Temperance.

Composed around 1294 in Italian, the Vita Nuova tells the story of Dante's encounters with and love for Beatrice, culminating in her early death and its effect upon him. Utilizing and developing the conventions of courtly love, in a mixture of prose and verse, Dante deepens the emotional content of the genre, while pointing the way towards the intellectual and spiritual journey of the Divine Comedy.

After his soul-searing journey through the torments of hell, Dante is led by his guide, Virgil, to the frontier of Purgatory, depicted as a vast mountain that represents the sole piece of land in the Southern Hemisphere. The pair slowly make their way up the mountain, at the top of which is the fabled earthly paradise. As they climb they meet repentant sinners whose curative punishments are often no less severe than those inflicted in hell.

In the final volume of The Divine Comedy, Dante completes his tour of the afterlife and rises to the highest sphere of heaven. His guide is Beatrice, who acts as both an object of devotion and also a source of instruction. In verse of the most sublime order, Dante not only describes the sights, sounds, and inhabitants of this celestial region, but also presents, with astonishing clarity, a comprehensive view of Catholic theology.

"Abandon hope all ye who enter here." Dante, our young, naive hero, has woken from a deep sleep to find himself in a cold, dark wood. Before he can begin to work out where he is, his path is blocked by a leopard, a lion, and a she-wolf. Things get worse from there, and our pilgrim finds himself on a journey through the very depths of hell. Why is he there, and will he ever make it out alive?

Among the monuments of world literature, few works have been as influential as the Divine Comedy. Dante's compendious allegory of a journey through the world of the afterlife is significant on many levels. It established Italian as a literary language, and consolidated the position of Florentine Italian as the lingua franca of the Italian peninsula. As an engaging portrait of the social and intellectual life in medieval Florence it is unrivalled

La realizzazione di questa Commedia di Dante si deve al contributo appassionato di diversi attori:Ivano Marescotti ha prestato la sua voce profonda...

This unique poetic translation by Herbert A. Kenny, historian and poet, is the first that incorporates the Biblical, theological and historical allusions of the greatest poem im Christendom into the text itself. It can now be appreciated without a glossary or accompanying notes. Listen as the liquid lines take you through the horrors of the "Inferno", the mysteries of "Purgatorio" and the glories of "Paradiso".

Purgatory is the second part of Dante's The Divine Comedy. The listener finds the Poet, with his guide Virgil, ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud - forced to circle their terrace for eons bent double in humility; the slothful running around crying out examples of zeal and sloth; while the lustful are purged by fire.

The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.

One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.

"Abandon all hope you who enter here." Dante's Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism.

Led by his guide Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, Dante encounters the just rulers and holy saints of the Church. The horrors of the Inferno and the trails of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God's Heavenly court - the angels, the Blessed Virgin, and God Himself.

Ci sono molti modi di visitare una città e forse Firenze, per la ricchezza architettonica e artistica che la caratterizza, è una di quelle che si presta a mille percorsi alternativi. Ma sicuramente tra questi, uno dei più interessanti, è rappresentato dalla passeggiata che, seguendo i passi di Dante, ci porta a incontrare quegli edifici sacri e civili, quei palazzi privati e pubblici, che formavano la sua città, quella Firenze da lui tanto amata e tanto odiata.

L'audiolibro contiene una raccolta dei canti più conosciuti e frequentati della Divina Commedia. Dante racconta il suo viaggio ultraterreno durante il quale incontra personaggi quali Caronte, Paolo e Francesca, Farinata, Ulisse, il Conte Ugolino, Manfredi, Sordello, fino al finale del grande capolavoro, con la preghiera alla Vergine e la visione estasiata di Dio.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

Written in alternating prose and poetry, La Vita Nuova is a profound reflection on the nature of love, devoted to Dante's muse Beatrice. Following Beatrice's death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love and saw her as an image of salvation itself - a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven.

"The Classic Collection of Dante Alighieri: The Divine Comedy, The New Life" offers listeners an exquisite journey through Dante's masterworks. This volume includes "The Divine Comedy," Dante's epic exploration of Hell, Purgatory, and Paradise, alongside "The New Life," a poetic reflection on his love for Beatrice.

La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; Italian for The New Life) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.

Paradise (Paradiso) is the third canticle of Dante Alighieri's world-renowned narrative poem describing the poet's journey through the realms of the afterlife. Here Dante is guided by his beloved Beatrice through the nine celestial regions of Paradise, leading to the last, Empyrean Heaven, the dwelling place of God and the angels.