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It’s tough to be a buffoon when the Age of Reason is trying to downsize your job. When the King’s Fool dies unexpectedly, a professional buffoon tries to move up the ranks and grab the top slot. But the politics involved in becoming a court jester are no laughing matter. The rules of becoming the top fool are simple: The winner is the one who performs the most outrageous act. Our buffoon and his fellows struggle for supremacy in a profession that is heading for extinction.

They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs, but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. But their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence.

William Still’s parents escaped slavery but had to leave two of their children behind, a tragedy that haunted the family. As a young man, William went to work for the Pennsylvania Anti-Slavery Society, where he raised money, planned rescues, and helped freedom seekers who had traveled north. And then one day, a strangely familiar man came into William’s office, searching for information about his long-lost family. Could it be? Motivated by his own family’s experience, William began collecting the stories of thousands of other freedom seekers.

When Ruby King’s mother is found murdered in their home in Chicago’s South Side, the police dismiss it as another act of violence in a Black neighborhood. But for Ruby, it means she’ll be living alone with her violent father. The only person who understands the gravity of her situation is Ruby’s best friend, Layla. Their closeness is tested when Layla’s father, the pastor of their church, demands that Layla stay away. But what are his true motives? And what is the price for turning a blind eye?

As the effects of aggressive policing and mass incarceration harm historically marginalized communities and tear families apart, how do we define safety? In a time when the most powerful institutions in the United States are embracing the repressive and racist systems that keep many communities struggling and in fear, we need to reimagine what safety means. Community leader and lawyer Zach Norris lays out a radical way to shift the conversation about public safety away from fear and punishment and toward growth and support systems for our families and communities.

Analyzing the tremendous changes in the history of America’s racial dynamics, Randall Kennedy challenges us to examine how prejudices and biases still fuel fears and inform our sexual, marital, and family choices. He takes us from the injustices of the slave era up to present-day battles over race matching adoption policies, which seek to pair children with adults of the same race.

Isaiah is now the big man of the house. But it's a lot harder than his dad made it look. His little sister, Charlie, asks too many questions, and Mama's gone totally silent. Good thing Isaiah can count on his best friend, Sneaky, who always has a scheme for getting around the rules. Plus, his classmate Angel has a few good ideas of her own - once she stops hassling Isaiah. And when things get really tough, there's Daddy's journal, filled with stories about the amazing Isaiah Dunn, a superhero who gets his powers from beans and rice. Isaiah wishes his dad's tales were real.

Growing up as the child of former sharecroppers in a segregated Baltimore, Elijah Cummings saw firsthand how injustice could run rampant, even in a democracy that promises fairness and equality. But with a strong support system and fiery self-discipline, Elijah utilized the momentum of the civil rights movement to overcome the obstacles of poverty and racism to effect change at a time when our country so badly needed it.

Frederick Douglass (1818-1895) is best known for the telling of his own emancipation. But there is much more to Douglass' story than his time spent enslaved and his famous autobiography. Facing Frederick captures the whole complicated and, at times, perplexing person that he was. Statesman, suffragist, writer, and newspaperman, this book focuses on Douglass the man rather than the historical icon.

Clayton feels most alive when he's with his grandfather, Cool Papa Byrd, and the band of Bluesmen - he can't wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton's mother forbids Clayton from playing the blues. And Clayton knows that's no way to live. Armed with his grandfather's brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road.

Great journalists, at one time or another, have all been characters in their own stories: people with personalities that shaped what they saw and reported and were touched and changed by the experiences about which they wrote, and innovators who borrowed the storytelling techniques of fiction.

Could your past disappointment be the source of your present trouble? Many people are living aimless lives, suffering from depression, anxiety, doubt, cynicism, and fear because of disappointments they have experienced in the past. You may even be affected without realizing it - completely unaware that events that happened long ago are still simmering in the background. But you can find the strength to change the course.

Written with exclusive access to Outlaw himself, Charles Barber’s Citizen Outlaw is the unforgettable story of how a gang leader became the catalyst for one of the greatest civic crime reductions in America, and an inspiring argument for love and compassion in the face of insurmountable odds.

For over fifty years, the Shakurs have inspired generations of activists, scholars, and music fans. Many people are only familiar with Assata Shakur, the popular author and thinker, living for three decades in Cuban exile; or the late rapper Tupac. But the branches of the Shakur family tree extend widely, and the roots reach into the most furtive and hidden depths of the underground. Whether founding one of the most notorious Black Panther chapters in the country, spearheading community-based healthcare, or engaging in armed struggle with systemic oppression, the Shakurs were at the forefront.

It’s the summer of 1964 and three innocent men are brutally murdered for trying to help Black Mississippians secure the right to vote. Against this backdrop, twenty-one year old Violet Richards finds herself in more trouble than she’s ever been in her life. Suffering a brutal attack of her own, she kills the man responsible. But with the color of Violet’s skin, there is no way she can escape Jim Crow justice in Jackson, Mississippi. Before anyone can find the body or finger her as the killer, she decides to run. With the help of her white beau, Violet escapes.

The Misfits are back and now they are international. Trigga, Diamond, and the crew are in London. Dame has been handled and everything should be perfect. But when a plan works too perfectly, there is bound to be some unfinished business. Secrets are exposed. Diamond has learned the game and now she must continue to embrace a life she was not meant to live while understanding the truths of her own past.

Edited by the host of NPR’s Weekend Edition Sunday, Ayesha Rascoe—with a distinguished and diverse set of contributors including Oprah Winfrey, Stacey Abrams, and Branford Marsalis, HBCU Made illuminates and celebrates the experience of going to a historically Black college or university. This book is for proud alumni, their loved ones, current students, and anyone considering an HBCU.

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.