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After covert investigators Ryan Decker and Harlow Mackenzie demolished APEX, a billion-dollar criminal enterprise, a tenuous truce between the two factions suggested the battle was over. But not for Decker’s director, Senator Margaret Steele. She’s uncovered an even deadlier operation - code name Skystorm. Skystorm violates every international arms-trafficking law imaginable. And for the senator, exposing the plot may be a gamble too far. APEX has caught wind of the investigation, and they’ve gone on the offensive.

“One of Mexico’s greatest living writers,” wrote Jonathan Lethem in 2018, “we are just barely beginning to catch up to what she has to offer.” In the years since, Rivera Garza’s work has received widespread recognition: she was awarded a MacArthur Genius Grant for fiction and was a finalist for the 2020 National Book Critics Circle Award for Criticism. Yet we have still only started to discover the full range of a writer who is at once an incisive voice on migration, borders, and violence against women, as well as a high stylist in the manner of Lispector or Duras.

Written with compassionate realism and wit, the stories in this mesmerizing collection depict the disparities of town and village life in South America, of the frightfully poor and outrageously rich, of memories and illusions, and of lost opportunities and present joys. Stories include "No One Writes to the Colonel", "Tuesday Siesta", "One of These Days", "There Are No Thieves in This Town", "Balthazar's Marvelous Afternoon", "Montiel's Widow", "One Day After Saturday", "Artificial Roses", and "Big Mama's Funeral".

The ruined town of Comala is alive with whispers and shadows. Time shifts from one consciousness to another in a hypnotic flow of desires and memories, a world of ghosts dominated by the tyranny of the Páramo family. Womaniser, overlord and murderer, Juan's notorious father retains an eternal grip over Comala. Its barren and broken-down streets echo the voices of tormented spirits sharing the secrets of the past in an extraordinary chorus of sensory images, violent passions and unfathomable mysteries.

First contact with a mysterious race of aliens reveals an unusual request; a family's pet dog comes to grips with the newly bestowed gift of human-like intelligence; a poet, in danger and alone on a distant world, makes unlikely allies; hundreds of years in the future, a famous hermit lives in the sea above the now-underwater Harvard University; former friends navigate unsteady peace between human refugees and the technologically superior race that saved them; in a future where human life can be infinitely extended through cybertronic rebirth, one woman declines immortality.

Cathy O’Connor has seen it all. Her dad owns the local Haunted Horror Museum, a popular location filled with spooky items. The museum has been trying to get its hands on a real mummy for a long time. And this year, a mysterious mummy, Arragotus, has arrived. But when Slappy is dropped at the museum’s doorstep the night before Cathy’s class is coming, scary things start to happen. The dummy meets the mummy, and nobody is safe. Will it be a wrap for Cathy’s friends and family?

Gay Mexican American lawyer Henry Rios has fought bigotry and prejudice, battled alcoholism, and watched his lover die from AIDS. In The Burning Plain, he's wrongly accused of murder after a male prostitute he spent an evening with is savagely murdered. Rios proves his innocence, but when two more gay men are brutally murdered, he is drawn unwillingly into the hunt for a serial killer and soon finds himself up against an unsympathetic DA, a gay-bashing cop, reluctant witnesses, and a conspiracy among Hollywood's power elite.

Winner of six Lambda Literary awards, the Henry Rios mystery series is iconic and Michael Nava has been hailed by the New York Times as "one of our best" crime writers. Upon its original publication, the Los Angeles Times said of Howtown and its author: "Nava's mysteries are faithful to the conventions of the genre, but they are set apart by their insight, compassion, and sense of social justice.... Howtown is Nava's bravest and most ambitious novel to date."

Los Angeles, 1986. A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps - and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, Rios finds himself with a client suddenly facing the death penalty.

While recovering from a heart attack, gay Mexican-American attorney Henry Rios comes to the aid of his long-lost niece, the illegitimate daughter of his estranged sister, who has confessed to the murder of her abusive husband, but during his investigation, Rios discovers that things are more complicated than he had thought.

Winner of six Lambda Literary awards, the Henry Rios mystery series is iconic and Michael Nava has been hailed by The New York Times as “one of our best” writers. Here, Rios delves deeply into his Latino identity as he defends a young man charged with assassinating a prominent Los Angeles Latino politician. The San Francisco Chronicle hailed the novel and its author: “A beautifully conceived but gritty novel.... Nava writes the kind of small, clean, powerful novels that build in emotional power almost invisibly, leaving us breathless at the end.”

Father Solomon Lancaster—the town's dry-witted sheriff and priest at the community Catholic church—finds himself on the forefront of an investigation into a series of murders. Soon, he's fighting to match wits with the serial killer terrorizing his town while trying to justify his law-enforcement credentials to the FBI as their analysts and profilers take Crooked Creek, Indiana, by storm. But Father Solomon is hiding secrets of his own. Ones that threaten to rise to the surface as the murders continue and the investigation draws nearer to the truth.

In the tiny Central American republic of Tenango, a place of orchid-scented jungle, crumbling palaces, and baroque cathedrals, the rainy season is over and the dusty days of winter have begun. It is time for revolution. In an old plantation house the conspirators meet: General Jorge Alvarez, returned from exile in New Orleans with his hothead of a son and his proud, beautiful daughter; a volatile entourage of disenchanted colonels and rebel priests; and Peter Nelson, an American soldier of fortune with his own reasons for joining the rebels.

At the conclusion of the American Revolution, half the modern United States was part of the vast Spanish Empire. The year after Columbus' great voyage of discovery, in 1492, he claimed Puerto Rico and the Virgin Islands for Spain. For the next 300 years, thousands of proud Spanish conquistadors and their largely forgotten Mexican allies went in search of glory and riches from Florida to California. Many died; few triumphed. Some were cruel; some were curious; some were kind. Missionaries and priests yearned to harvest Indian souls for God through baptism and Christian teaching.

Havana, Cuba, 1947. Young Patricio flees impoverished Spain and steps into the sultry island paradise of Havana with only the clothes on his back and half-baked dreams of a better life. Blessed with good looks and natural charm, he lands a job as a runner at El Encanto - one of the most luxurious department stores in the world. Famous for its exquisite offerings from French haute couture to Arabian silks, El Encanto indulges the senses in opulent extravagance. It caters to visiting Hollywood stars, rising politicos, and prerevolutionary Cuba’s wealthiest power players.

Winner of six Lambda Literary awards, the Henry Rios mystery series is iconic and Michael Nava has been hailed by the New York Times as "one of our best" writers. Originally published during the darkest years of the AIDS epidemic in the gay community, The Death of Friends received extraordinary praise both as a mystery and an eloquent work of witness. Publishers Weekly said, "This is a brave, ambitious and highly impressive work."

For decades now wealth and power have been shifting from states to markets. This experiment has been a failure for all but a privileged few. But this trend is beginning to reverse, accelerated by the COVID-19 pandemic, which has seen the state play the most direct and positive role in citizens’ everyday lives in living memory. Graeme Garrard makes a powerful case for the state as our only realistic hope of countering the rising power of multinational corporations, organized crime, and international organizations that will always put their own interests first.

Alberto has been alone for the majority of his life, making his way as a restaurant worker and at the beck and call of wealthy and entitled Don Antonio. This time for hire, Alberto arrives at Antonio’s summer house prepared to attend to its regular maintenance. Instead he finds only Antonio’s heartbroken wife, Lola, and a task that could alter his loyalty to his employer forever.

Don Sebastian Valdivia and his secretary, Juan Carreño, attend a horse auction at the Garrison Ranch, where an outlaw stallion, Twilight, is held back until last. The only man who can ride this magnificent beast is Charles Dupont, known as the Crisco Kid, who has bonded with the horse since he was a colt.Because gunman Bud Carew despises the Kid, he desperately wants to possess Twilight. Those attending the auction know that no matter who wins, a gunfight is sure to follow.

In How We Disappear, award-winning author Tara Lynn Masih offers listeners transporting and compelling stories of those taken, those missing, and those neither here nor gone—runaways, exiles, wanderers, ghosts, even the elusive Dame Agatha Christie. From the remote Siberian taiga to the harsh American frontier, from rural Long Island to postwar Belgium, Masih’s characters are diverse in identity and circumstance, defying the burden of erasure by disappearing into or emerging from physical and emotional landscapes.