Zeigt Titel in Coming of Age

Etwas muss sich ändern, aber was wenn die ganze Welt gegen einen scheint? Snehas Abschluss fällt in den Schlund der amerikanischen Rezession, und doch gehört sie zu den Glücklichen. Für ihre erste Stelle zieht sie nach Milwaukee; und obwohl der Job aufreibend ist, eröffnet er ihr unverhoffte Möglichkeiten: Sie kann die Drinks ihrer neuen Freunde bezahlen und ihren Eltern in Indien Geld schicken. Sneha stürzt sich auch ins Dating und verknallt sich bald in die Tänzerin Marina. Doch der Druck ist groß, und bald zeigt sich, dass dieses gute neue Leben auf wackeligen Beinen steht.

It is June and our ten-year-old heroine is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But she has a best friend, Isora. And she likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she writes the letter g with a huge tail. The way she calls her Shit because poop is a beautiful thing like the mist round the pines.

Rose and Lily Winters are twins, as close as the bond implies; they feel each other’s emotions, taste what the other is feeling. Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food - or not - to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. When Rose stops eating, Lily starts - consuming everything Rose won’t or can’t.

In the Black Country in the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has moved to Britain with his wife to secure a brighter future for themselves and their children. At the turn of the millennium, Jesse seeks a fresh start in London - escaping from a broken immediate family, a repressive religious community and the desolate, disempowered Black Country - but finds himself at a loss for a new centre of gravity and turns to sex work to create new notions of love, fatherhood and spirituality.

Cassandra Edwards is a graduate student at Berkeley: gay, brilliant, nerve-racked, miserable. At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding.

Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood. Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him.

Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend, Violet's life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband, Simon, are not only inviting Violet into their company, they are also inviting her into their lives.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: She can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Shadow of the Scrolls is a "new adult" spinoff series from the Techromancy Scrolls. These short novellas follow Misty, Ingr, and Shanicia as they get into misadventures as they navigate the transition from teen to adult. The girls escort Shanicia to the Outlands for another meeting with the Junior Regiment in Arcadia, the fledgling realm across the Uninhabitable Lands to the northwest. They are tasked to ferry the former Great Mother, their Gramma Ranelle home after they complete their business there.

Welcome back to Pride High, where the delicious drama continues! Ricky tries to sort through his feelings for Diego—the hot guy who has been bullying him—and ends up in the middle of a feud. Anthony and Cameron, now a couple, must navigate first times and coming out. Silvia finds herself questioning her feelings for Omar when someone else catches her eye…and it’s a girl.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them.

Michael Chabon masterfully renders the funny, tender, and captivating first-person narrative of Art Bechstein, whose confusion and heartache echo the tones of literary forebears like The Catcher in the Rye's Holden Caulfield and The Great Gatsby's Nick Carraway. The Mysteries of Pittsburgh incontrovertibly established Chabon as a powerful force in contemporary fiction, even before his Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay. An unforgettable story of coming of age in America, it is also an essential milestone in American fiction.

The ghost of Kai, the love of Cam's life, won't leave Cam alone. He follows Cam from LA back home to Houston, his visits wild, tender, and unpredictable. But Cam has changed, and when he reenters the orbit of his childhood best friend TJ and his family's bakery, neither Cam nor TJ is sure how to navigate their charged estrangement. Searching for a way past all the wounds and secrets—a way to be okay together, maybe for the first time— the pair find hope and sustenance from the most unlikely source.

Grad student Will Dillard has largely buried memories of the summer he spent at a camp intended to "cure" homosexuality. But when he finds out a horror movie based on the camp is hitting theaters, he's forced to face his past - and his role in another camper's death. As he recounts the events surrounding his "failed rehabilitation", Will strikes out on an impromptu road trip back home to Mississippi, eventually returning to the abandoned campgrounds to solve the mysteries of that pivotal summer.

New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse.

A bildungsroman set over three acts, Ponyboy is a quest for self-identity set among the art world of Paris and Berlin. In the first act, Ponyboy's eponymous narrator - a pill-popping, speed-snorting trans-masculine lightning bolt - unravels in his Paris apartment. Ponyboy is caught in a messy love triangle with Baby, a lesbian painter who can't see herself being with someone trans, and Toni, a childhood friend who can actually see Ponyboy for who he is. Strung out, Ponyboy follows Baby to Berlin in act two, where he sinks deeper into drugs and falls for a fellow writer.

Peter Mandel is an 18-year-old private school senior who’s passionate about photography and bent on keeping his attractions secret. Enter Adam Algedi, a charming, worldly guy who doesn't do labels, but does want to do Peter.

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother.