Ergebnis für "Was" in Popularkultur

All I Ever Wanted Was to Be Hot is a funny, provocative retrospective on the last thirty years of Western beauty standards. From the Pussycat Dolls to Victoria’s Secret, The Girls of the Playboy Mansion to Lara Bingle, the media of the 2000s was littered with high profile examples of hotness as the highest form of social currency. Is it any wonder a girl growing up in that era might believe “good looks” were as integral to womanhood as having a pulse?

Unsere Zeit: Ein wertvolles Gut! Uhren messen die Zeit physikalisch, doch wir erleben sie ganz anders und unterschiedlich: Etwa in der Langeweile, beim Spiel, im gesellschaftlichen Termingetriebe, in der Echtzeit-Kommunikation. Rüdiger Safranski beschreibt das Spannungsfeld zwischen Vergehen und Beharren und ermuntert uns, Zeitsouveränität zu erobern und zu bewahren - damit nicht nur die Zeit mit uns etwas macht, sondern auch wir etwas aus ihr.

Uhren messen die Zeit physikalisch, doch wir erleben sie ganz anders und unterschiedlich: Etwa in der Langeweile, beim Spiel, im gesellschaftlichen Termingetriebe, in der Echtzeit-Kommunikation. Rüdiger Safranski beschreibt das Spannungsfeld zwischen Vergehen und Beharren und ermuntert uns, Zeitsouveränität zu erobern und zu bewahren - damit nicht nur die Zeit mit uns etwas macht, sondern auch wir etwas aus ihr.

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but also he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

What Remains of Edith Finch was released in 2017 amid a gaming public that had largely already dismissed the games genre. With no points, no combat, no puzzles, and no goal other than narrative progression, What Remains of Edith Finchs success came as a surprise to many. But for those who appreciated the power of a combat-less, story-driven video game, What Remains of Edith Finch would become a beacon for an emerging genre dubbed "walking simulators."

THE EARLY 2000s conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all. The internet had arrived, and technology was shiny and fun. For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999, we are still living in the shadows of the Y2K Era.

“Paul is dead.” It was the late 1960's, the Beatles hadn’t toured since 1966, and some truly bizarre indications began appearing, pointing to the unthinkable: Paul McCartney had been killed in a car accident and replaced by a look-alike. The Walrus Was Paul unearths every single clue from one of rock ’n’ roll’s most enduring puzzles and takes you on a magical mystery tour of baffling, yet fascinating, hints for solving this mystery.