Ergebnis für "Orwell: The Essays" in Literatur & Belletristik

This audiobook includes unabridged recordings of all George Orwell's greatest works: six novels, three books of non-fiction, a collection of his most well-renowned essays and the complete collection of his poetry.

A wide-ranging selection of George Orwell's essays, written in the clear-eyed, passionate and uncompromising style that has earned him a reputation as one of Britain's greatest writers.

A graphic and biting polemic that still holds a fierce political relevance and impact despite being written over half a century ago. First published in 1937 it charts George Orwell's observations of working-class life during the 1930s in the industrial heartlands of Yorkshire and Lancashire. His depictions of social injustice and rising unemployment, the dangerous working conditions in the mines amid general squalor and hunger also bring together many of the ideas explored in his later works and novels.

The Ultimate Essays Collection is a wide-ranging collection of 30 classic essays analysing everything from war to love, journalism to race, travel to nature, and much more, read by an award-winning cast of narrators. Included here are essays by some of the greatest writers of all time, including George Orwell; Thomas Paine; Fyodor Dostoyevsky; Henry David Thoreau; Virigina Woolf; Sigmund Freud; Zorea Neale Huston; Langston Hughes; Jack London, and more.

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

George Orwell (1903-50) is known around the world for his satirical novella Animal Farm and his dystopian novel Nineteen Eighty-Four, but he was arguably at his best in the essay form. Below, we've selected and introduced ten of Orwell's best essays for the interested newcomer to his non-fiction, but there are many more we could have added.

Biographer Michael Shelden called Orwell’s Politics and the English Language “his most important essay on style”. First published in 1946, the essay exploded the language trends of the time and served as an inflection point in the debate about communication in the 20th century. This collection of essays published 1946-48 provides a comprehensive critique of the status of politics and speech in the mid-century.

This second collection of essays from actor and author Tim Dalgleish is packed full of diverse literary and historical essays including pieces on George Orwell, his poetry, being taught by Aldous Huxley, living in Paris and his ability to quietly read, on family outings in the car, whilst in the company of two guinea pigs, a cat, a baby, rugs, holiday paraphernalia, and a poorly goat.

In this essay, Orwell describes his personal journey to becoming a writer and offers some important motives for writing. Moving from his experience of writing his first completed poems to trying his hand at short stories, to finding fame as a fully fledged writer, Orwell discusses the importance of writing, his continuous technique and sets out some important motives for becoming a writer yourself.

Within this essay, Orwell criticises the 'ugly and inaccurate' written English of his time and examines the connection between political orthodoxies and the debasement of language. The essay focuses on political language, which, according to Orwell, 'is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind'. Bad English, he believed, was a vehicle for oppressive ideology.

I det berømte titelessay Elefanten og i det efterfølgende essay En henrettelse leverer Orwell en svidende kritik af det britiske koloniale styre. Baseret på egne oplevelser som officer i det koloniale politi i Burma kaster han et undersøgende blik på magt, magtudøvelse og underkastelse. Herefter følger klassikeren Sådan dør de fattige samt en række af de mesterlige indlæg, Orwell skrev til sin ugentlige klumme i Tribune i årene 1943-47 under overskriften As I please.

During The Blitz of 1941, as Nazi bombers flew overhead, George Orwell penned this stirring analysis of England and its people. Whilst not shying away from the difficulties of the nation, and the fractuous nature of its divisions, Orwell places a premium on the country's ability to come together in a time of crisis and protect its democratic values, even in the most dire of circumstances.

George Orwell's moving reflections on the English character and his passionate belief in the need for political change. 'The Lion and the Unicorn' was written in London during the worst period of the Blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

"The Spike" and "A Hanging" are two essays written by George Orwell that deal with themes of institutional cruelty, powerlessness, and injustice. "The Spike" describes Orwell's experience of living in a spike, or homeless shelter, and the brutal conditions and dehumanizing treatment he witnessed there. The essay explores the plight of the poor and marginalized in society, as well as the indifference and cruelty of those in power. "A Hanging" describes Orwell's experience of witnessing a hanging during his time serving as a police officer in Burma.

Books v Cigarettes is a funny and irreverent essay comparing the costs of reading to other forms of recreation including smoking. Originating from the experience of an editor friend who was firewatching during the Second World War, who was told by factory workers that they had no interest in literature because they could not afford books, the essay first appeared in Tribune in 1946.

'Decline of the English Murder' analyses the kinds of murders depicted in popular media during Orwell's life and why society of the time was obsessed with these grizzly crimes. Tribune published it on 15th February 1946, and Secker and Warburg republished it after his death in Shooting an Elephant and Other Essays in 1952.

¿Son compatibles la libertad estética y el compromiso político? McEwan reflexiona a partir de Orwell y Camus. En 1940 George Orwell publicó el ensayo "En el vientre de la ballena", en el que se pregunta cómo pueden conjugar los escritores la integridad estética y el compromiso político. ¿Son compatibles? ¿Cuál debe prevalecer por encima del otro? ¿Tiene sentido exigirle a un creador la denuncia de las injusticias del mundo? Años después, en 1957, Albert Camus, otro heterodoxo antitotalitario, y temprano denunciante del estalinismo, se planteó el mismo asunto.