Quick film review before we get back to the final part of Moby Dick.

Guillermo del Toro's long-awaited Frankenstein adaptation is absolutely cleaning up in the Oscar nominations, including a nod for Best Picture.

Benny and Rich make the comparison with Mary Shelley's source material and find it to be sadly wanting (altho we do have some nice things to say).

On the dumbing-down of nuanced morality stories, and the ubiquity of daddy issues/therapy speak in modern media. Can't a guy just be a crazy hubristic scientist anymore??

Plus: a brief detour through the horror of quantum immortality.

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NEXT ON THE READING LIST:

• The final third of Moby Dick
• The Royal Game — Stefan Zweig
• Atomised — Michel Houellebecq

We continue our voyage with chapters 40-80 of Herman Melville's leviathan MOBY DICK.

Talking nihilism and meaning-making, the deeper significance of making the whale white (seriously), the terrifying vastness of the ocean, animal welfare and charismatic megafauna, and whether we're OK with reading an abridged edition of the book.

In short: we're having a whale of a time. Tune in next week for our third and final instalment.

CHAPTERS:

(00:00:00) They should make some kind of 'abridged' version of this book (00:12:21) BULKINGTON (00:19:18) Whiteness conceptual analysis (00:32:10) First whale encounter (00:41:51) The bloody, brutal business of the sperm whale fishery (00:52:32) Charismatic megafauna / animal ethics (01:00:48) Tashtego falls into a vat of sperm (01:10:02) Listener mail: Is it OK to use another man's Anki deck?

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The final third of Moby Dick

??

Starting the year off right by signing on for an epic voyage with Herman Melville's MOBY DICK; OR, THE WHALE, published in 1851, and widely considered to be the great American novel.

It's quite the beast so we're dividing it into three parts, with this first convo covering chapters 1-40.

Call me Ishmael: Dissecting the iconic opening line, why we love Ishmael as a narrator, on the optimal strategy for getting snuggly in bed, the precise nature of his relationship with (we claim) our fellow New Zealand native Queequeg, and the question of race and class politics onboard a whaling ship.

The mysterious Captain Ahab: various ominous warnings, initial thoughts on Ahab's motivations, punching through the pasteboard mask, and a climactic ritual atop the Quarter-deck.

Infamous infodumps: Benny's eyes glazed over at times, Cam skimmed the Cetology chapter, but Rich makes the case for soldiering through. Plus we look at some of the interesting formal choices Melville makes, the early seeds of modernism, and can't help but make some comparisons to Blood Meridian and Butcher's Crossing.

CHAPTERS:

(00:00:00) Ahoy shipmates (00:03:20) Call me Ishmael analysis (00:11:33) NEW ZEALAND MENTIONED!!! (00:17:32) Race politics in international waters (00:23:51) Perilous adventures for young men (00:29:29) The infamous cetology chapter (00:34:44) Jonah and the whale/biblical allusions (00:42:20) We need to talk about Ahab (00:54:48) Infodumps, genre mashups and the roots of modernism (01:01:10) Listener mail: Adam G in NYC

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??

Yeah fuck this book. After much blood, sweat, tears, and other unspeakable bodily excretions, we've had enough.

This is our first ever DNF after 50+ titles, so we thought we should do a postmortem of what went wrong.

Did we not try hard enough? Is Pynchon basically an asshole? Do we have a problem with postmodernism as a tradition? Or the maximalist writing style? How is that we (mostly) love David Foster Wallace, who copied so much of his schtick from Pynchon, but not the master himself?

And several other theories for why this book ultimately defeated us:

(00:00:00) Theory 1: we chose the wrong Pynchon to start out with (00:06:45) Theory 2: we are straight-up too dumb for this book (00:11:35) Theory 3: GR is intended for literary masochists (00:19:34) Theory 4: Postmodernist disorientation spiral (00:30:30) Theory 5: Pynchon is painfully unfunny (00:38:10) Theory 6: Maximalism is just too much, man (00:49:20) comparison vs DFW, the New Sincerity, and irony poisoning (00:56:50) Listener mail: In defence of Woolf and the modernists (01:01:51) Next book announcement

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Moby Dick — Herman Melville

Some festive chit-chat and navel gazing on the year that was.

CHAPTERS:

(00:00:00) big tiddy goth gfs and rival podcast recs (00:10:09) DYEL wrapped stats analysis (00:19:39) Third best book of the year (00:23:41) Second best book of the year (00:29:01) Best book of the year (00:33:11) Biggest stinker of the year (00:40:13) Best non-book club book or blog (00:56:25) Favourite movie or TV show of the year (01:03:53) What we're gonna do differently next year

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Moby Dick by Herman Melville

We've been making eyes at the postmodernists for a while, but up until this point have lacked the stones to go take a ride on daddy Pynchon's rocket ship.

Now that we have a little experience we thought we were ready for a mature and sophisticated lover like Gravity's Rainbow (1973): 800 pages long, and widely considered to be one of the greatest novels of all time.

...we were not ready.

It's right back to clumsy virginal fumblings as we attempt to decipher the first 100 pages. A shameful and frankly demoralising experience for the boys.

Does it get easier?

Please dear god let it get easier.

CHAPTERS:

(00:00:00) introductory fumblings (00:06:19) Rocket warfare (00:12:40) Pirate, ACHTUNG, and the Firm (00:17:14) Slothrop’s psychic schlong (00:22:58) Roger Mexico the statistician (00:30:12) Reverse causality (00:36:16) I didn't get that reference

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???

In 1987, Japanese novelist Haruki Murakami set himself a challenge: to set aside his magical realism schtick and try to write one 'straight' novel in the realist tradition.

The result was Norwegian Wood, in which the author-insert protagonist is transported back to his college days, breaking free of ennui and depression just long enough to sleep with a string of hot but crazy chicks (and giving each of them the greatest sexual experience of their life).

Naturally it was a smash hit among the youth. Murakami was propelled to fame and had to move to Italy, hounded from his home country by a mob of shrieking Japanese girls intrigued by his magical but sad penis.

But is the book actually any good?

The boys are divided on this. We talk about Murakami's treatment of suicide, his portrayal of female characters, use of memory and nostalgia as a writing device, in which ways we relate to Toru Watanabe, which demographic this book aimed at, and in general whether this is a work of great art or should be relegated to r/iam14andthisisdeep.

If you're a Murakami fan, please write in and tell us what we got wrong, and especially which other book of his you'd most recommend we read.

CHAPTERS:

(00:00:00) blather (00:05:06) On memory as a writing device (00:11:15) Portrayal of suicide (00:24:15) Toru Watanabe character analysis (00:36:03) Norwegian Wood as a teenage boy fantasy (00:49:20) A profound and deeply moving ending (00:54:30) Final judgments (00:58:25) Next book announcement + One Battle After Another argument

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Guillermo del Toro's Frankenstein

Gravity's Rainbow — Thomas Pynchon

This week we're reading James Joyce's semi-autobiographical novel A Portrait of the Artist as a Young Man, published in 1916.

Moments of adolescent significance: on heated dinner-time conversations, a child's keen sense of injustice, the fear of burning in Hellfire, contemplating eternity, sexual guilt, and teenage rebellion. Which did we relate to the most?

Theory of aesthetics: why are evo psych explanations distasteful? Do Aquinas' three criteria give us an objective description of art? How about Stephen's 'impelled action' theory? can we tell propaganda, pornography and sermonising apart from the real deal? Does Joyce's novel kinda fail by its own lights?

(00:00:00) intro (00:05:54) Baby tuckoo and the moocow (00:14:35) Dinner time convos and unjust punishments (00:23:18) Hell and the true nature of eternity (00:33:38) Epiphany (seeing a hot girl at the beach) (00:40:15) Stephen’s theory of beauty and aesthetics (00:56:40) Did we like the book?

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NEXT ON THE READING LIST:

• Haruki Murakami - Norwegian Wood
• Guillermo del Toro's Frankenstein
• Gravity's Rainbow — Thomas Pynchon