Twilight Cities
Lost Capitals of the Mediterranean
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Gesprochen von:
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Katherine Pangonis
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Von:
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Katherine Pangonis
Über diesen Titel
WINNER OF THE 2024 SOMERSET MAUGHAM AWARD
Its name means 'centre of the world', and since the dawn of history the Mediterranean Sea has formed the shared horizon of innumerable cultures. Here, history has blurred with legend. The glittering surface of the sea conceals the remnants of lost civilisations, wrecked treasure ships and the bones of long-drowned sailors, traders and modern refugees.
Of the many cities that dot this ancient coastline, Tyre, Carthage, Syracuse, Ravenna and Antioch are among the oldest and most intriguing. All are beautifully situated, and for layers of history and cultural riches they are rivalled only by their sister cities of Rome, Istanbul and Jerusalem. Yet their fates have been remarkably different. Once major power centres, all five have declined into relative obscurity. Nevertheless, their entwined history takes in Alexander the Great, Nebuchadnezzar, Archimedes and the Roman, Byzantine, Arab and Norman conquests, and their greatness still lingers for those who seek it out.
To bring these mysterious lost capitals to life, historian Katherine Pangonis sets out on a voyage from the dawn of civilisation on the Lebanese coast to a modern-day Turkey wracked by the devastation of the 2023 earthquake. Combining on the ground research with spellbinding storytelling skills, here is a revelatory new story of the Mediterranean, and a powerful reflection on the sometimes fleeting glory of empires.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2023 Katherine Pangonis (P)2023 Orion Publishing Group LimitedKritikerstimmen
Das sagen andere Hörer zu Twilight Cities
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Gesamt
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Sprecher
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Geschichte
- Constant Bookworm
- 28.12.2023
Factual, fascinating storytelling, shame about the voice
Pangonis seems to be a diligent historian. A lot of research went into this book.
She is a product of her time. It's all about her; she tears her clothes climbing up a hill, gets upset because a building she once visited has been destroyed in an earthquake, she desperately needs to let us know that she has Arabic friends. No Jewish ones. Oh, yes, and the poor woman being martyred who "took control of the narrative".
Pangonis reads in a monotonous voice, like a schoolchild in an English lesson. And then that accent. I can't place it... so a ship, of which there are many in this book, becomes a shep, and so on, which is actually rather irritating. Anyone whose first language is not English would have trouble understanding this. This is why most authors have their books read by actors, and I recommend this for the next book.
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