The Mystery of Three Quarters Titelbild

The Mystery of Three Quarters

The New Hercule Poirot Mystery

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The Mystery of Three Quarters

Von: Sophie Hannah, Agatha Christie
Gesprochen von: Julian Rhind-Tutt
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The world’s most beloved detective, Hercule Poirot – the legendary star of Agatha Christie’s Murder on the Orient Express and currently The Haunting in Venice – returns in a stylish, diabolically clever mystery set in 1930’s London.

‘Murder! Me? How dare you!’

Hercule Poirot’s tranquil afternoon is ruined when an angry woman accosts him outside his front door. She threatens to report the famous detective to Scotland Yard for falsely accusing her of murder. Seeking sanctuary inside, Poirot is startled to find that he has a visitor – another stranger claiming to have received a letter from Poirot accusing him of killing the same man.

How many more innocent people have been sent letters? If Poirot didn’t send them, who did? And who is Barnabas Pandy, the alleged victim – is he dead or alive? Poirot has answers to find, and quickly, or more lives may be put in danger…

 Cosy Crime Frauenliteratur Krimis Thriller Traditionelle Krimis

Kritikerstimmen

‘What Sophie and Agatha have in common is a rare talent for fiendish unpredictability. They make you see how the impossible might be possible after all.’
SUNDAY TELEGRAPH

‘A literary marriage made in heaven!’
THE TIMES

‘Sophie does justice to the Belgian brainiac, both in terms of bringing his character to life and giving him a mystery to solve that is worthy of his talents. It’s her best Poirot novel so far.’
SUNDAY EXPRESS

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Ich mag die Serie, aber das war bisher der Beste. Vielleicht liegt es daran, dass ich diesmal das Original gehört hab. Überlege gerade, mir die ersten 2 auch noch auf englisch anzuhören.
Und freue mich auf die Fortsetzung.

Immer besser

Ein Fehler ist aufgetreten. Bitte versuche es in ein paar Minuten noch einmal.
An ok listen, if you don’t expect too much. The plot is rather thin, there is too much speculation on Poirot’s part, as well as repetitive, long winded explanations of his theories. The old Poirot had a great sense of humor, and didn’t always take himself to seriously, displaying a host of lovable quirks. This new one, alas, is decidedly lacking in the charisma and lovability department.

Missing Poirot’s essence

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Very boring! Too long (Christie books are much shorter and to the point)! Dull characters (boring conversations). Unnecessary subplots about mobbing in school, abortion, relationships between father and son, mother and son in law to be, cake and much more. Repetitive. Plot did not make much sense in the end, some points were not cleared up. Conclusion not ingenious enough for a Poirot mystery, no clues, no evidence revealed in the end. Cannot understand good reviews. Nobody can write as well as Christie, but Hannah doesn't even try. Stick to Christie.

Not for Poirot fans!

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