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Landis

Von: Preston Fassel
Gesprochen von: Kelli Maroney
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Inhaltsangabe

At the dawn of the 1980s, there was one serious name in horror and exploitation film criticism: Bill Landis. While other magazines were concerned with behind-the-scenes information, tributes, and SFX tutorials, Landis' Sleazoid Express was one part film journal and one part anthropological study, seriously critiquing the grindhouse movies that played the theaters of 42nd Street while also documenting the dying subculture that had grown up around them.

Profiled in Rolling Stone for his pioneering work, Landis' over-the-top "Mr. Sleazoid" persona and double-life as an adult film star masked the pain behind a child genius whose intellect alienated him from his peers; a consummate outcast who only felt at home among other outcasts.

After settling into life as a husband, father, and author in the 90s, it seemed that Landis had turned a corner-but the ghosts of Times Square were never far behind him. Dead at the age of 49 on the eve of what should have been a successful comeback, his legacy has nominally been forgotten. Award-winning author and journalist Preston Fassel pieces together the full story of his life for the first time, from his turbulent childhood, to his meteoric rise in the New York vice scene, to his tragic demise on the streets of Chicago.

Featuring exclusive interviews with Kurt Loder (MTV; Rolling Stone), Michael J. Weldon (Psychotronic Video), Art Ettinger (Ultra Violent Magazine), Carl Abrahamsson, Mike McPadden (Heavy Metal Movies; Teen Movie Hell), and others, plus excerpts from Landis' unpublished autobiographical novella Last Exit in Manattan and a reprint of Landis' seminal Fangoria interview with Andy Milligan, Landis at last pulls back the curtain on one of genre writing's most influential-yet unknown-figures. In that lost, damned, golden age called the 80s, there was a movie star named Bobby Spector, and a writer named Mr. Sleazoid. Most importantly, there was a man named Bill Landis. This is his story.

©2021 Preston Fassell (P)2024 Mark Alan Miller

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