I Love You but I've Chosen Darkness
A Novel
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Gesprochen von:
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Kristen Sieh
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Von:
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Claire Vaye Watkins
Über diesen Titel
Named a Best Book of the Year by the Washington Post, Vogue, Entertainment Weekly, NPR, Esquire, and Kirkus
“There’s some kind of genius sorcery in this novel. It’s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake.” (Jenny Offill, author of Dept. of Speculation and Weather)
A darkly funny, soul-rending novel of love in an epoch of collapse - one woman’s furious revisiting of family, marriage, work, sex, and motherhood.
Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can’t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world.
Bold, tender, and often hilarious, I Love You but I’ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.
©2021 Claire Vaye Watkins (P)2021 Penguin AudioKritikerstimmen
“Intense, intelligent, and bristly...angry and alive...a virtuoso performance.” (The New York Times Book Review)
“An audaciously candid story.... Watkins’s book sparks the same electric jolt that The Awakening must have sent juicing through Kate Chopin’s readers in 1899.” (The Washington Post)
“A tour-de-force.... Much of motherhood literature can radiate a sort of wounded egotism, as if the greatest crime that society might commit against a woman were to think ill of her. Watkins, though, neither stews nor panders. She just follows her light.” (The New Yorker)