Homefront: An Expeditionary Force Audio Drama Special
Expeditionary Force, Book 7.5
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Von:
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Craig Alanson
Über diesen Titel
A full-cast performance of a thrilling new episode in the New York Times best-selling Expeditionary Force series.
After the latest mission of the starship Flying Dutchman, Earth is safe not just for a year, but for hundreds of years. The ship’s weary crew wonders what they will do with their lives in peacetime, but the enemy has other plans, and there is danger on the Homefront.
Starring Zachary Quinto, R.C. Bray, Kate Mulgrew, Robert Picardo, and everyone's favorite AI, Skippy the Magnificent, alongside a full cast. Includes plenty of pew-pew-pew, original sound composition, and maybe some singing by R.C. Bray.
Produced by Odd Origin Media and Dagaz Media
Executive Producer Greg Lawrence
Story by Craig Alanson
Script by Craig Alanson and Jack Bowman
Talent Director William Dufris
Sound Director Fred Greenhalgh
Associate Producer Casey Turner
Dialogue edited by Jack Bowman
Sound design by Jamie Mahaffey/The Mix Room and O'Shea Creative Media
Music by Jeroen Grommen
Check out exclusive bonus content at homefrontaudio.com.
Full cast includes: Zachary Quinto, R.C. Bray, Kate Mulgrew, Robert Picardo, Peter Berkrot, Kym Dakin, Bill Dufris, Corey Gagne, Nimo Gandhi, Emily Grotz, Dalton S. Kimball, Austin Ku, Daniel Logan, John Dalton Logan, PJ Ochlan, Lisa Renee Pitts, Christopher Price, Michael Rafkin, Lisa Stathoplos, Casey Turner, Jennywren Walker, Marjolaine Whittlesey, Ashanti Williams, Jonathan Woodward, and Collin Young.
©2019 Craig Alanson, Dagaz Media, LLC, and Odd Origin Media Inc. (P)2019 Podium Audiosuper!
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increcible
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The voicecast ist good to solid and the effects and music are fun. The bestial voices of the kristang fit.
The different voices lend the story an additional layer as now you can have a much clearer picture of characters now.
I do not concur with my fellow critics. I liked this.
If you are into audioplays this is definitly one of the
better ones.
Satisfied
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The only voice actors that sounded good were the ones of Bishop and Smithe. The rest was okay, but not super duper great. Mostly they managed to make the story strange or unbelievable, by laughing half heardedly at the wrong moments for example.
Often the listener does not exactly know what happened, this is probably an writing issue. Like when something crashes, instead of someone screaming "Oh shit it is coming down!" or "Brace yourselfs!" or "Edge, edge EDGE EDGE!!! Oh shit..." and then the crunsh of the impact, we only hear a cacophony of crunching noises and don't know what just happened, or what the situation is.
And when that beercan just once agains plays me Opera music, I swear I throw it out an airlock...
The story was good and generally well written, with the typical flaws, that the listener is used to already, so all in all, you can hear it, but it is not a masterpiece, nor super terrible.
Story is good, style is partly hard to hear
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Die Idee mit dem reichen Philantropen
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