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A Room of His Own

A Literary-Cultural Study of Victorian Clubland

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A Room of His Own

Von: Barbara Black
Gesprochen von: Leonard Nelson
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In nineteenth-century London, a clubbable man was a fortunate man, indeed. The Reform, the Athenaeum, the Travellers, the Carlton, the United Service are just a few of the gentlemen's clubs that formed the exclusive preserve known as "clubland" in Victorian London - the City of Clubs that arose during the Golden Age of Clubs. Why were these associations for men only such a powerful emergent institution in nineteenth-century London? Distinctly British, how did these single-sex clubs help fashion men, foster a culture of manliness, and assist in the project of nation-building? What can elite male affiliative culture tell us about nineteenth-century Britishness?

A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britain's military heroes home from the Napoleonic campaign and quickly turns to Dickens's and Thackeray's acrimonious Garrick Club Affair. It takes us to Richard Burton's curious Cannibal Club and Winston Churchill's The Other Club; it goes underground to consider Uranian desire and Oscar Wilde's clubbing and resurfaces to examine the problematics of belonging in Trollope's novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. London's clubland - this all-important room of his own - comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenth-century sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.

©2012 Ohio University Press (P)2014 Redwood Audiobooks
Geschlechterforschung Großbritannien Literatur & Belletristik Neuere Soziale Klassen & wirtschaftliche Ungleichheit
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Kritikerstimmen

“This splendid book boldly lifts the curtain and raises the sash of Victorian private gentlemen's clubs, which often were more comfortable, intimate, and yet sociable than the prized domestic hearth. According to Professor Black, clubs functioned as heterotopic spaces that were simultaneously apart from and part of the social fabric that constituted them. This is a beautifully conceived, thoroughly researched, and deftly argued book that expands our awareness of the homosocial associations out of which personal and national identities were forged in the nineteenth century and persist, with modifications and adjustments, even today.” (Karen S. Chase Levenson, Linden Kent Memorial Professor of English, University of Virginia)
“Barbara Black's wonderfully informative discussion of nineteenth-century London club culture is something of a revelation. She makes us see how significant were men's clubs in the social life of the expanding propertied classes of Britain; how ubiquitous, if critically overlooked, are their representations in the Victorian novel and the Victorian press; and how powerfully the sociability they fostered has shaped notions of English masculinity and national identity. That she does so in prose that is itself sociable-often witty and always appealing-is an added pleasure.” (Eileen Gillooly - Associate Director of the Heyman Center for the Humanities and Associate Faculty in English, Columbia University)

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Victorian Clubland with a broad american drawl

The quite interesting subject of Victorian Clubland is described via literary analysis of works of Thackeray , Dickens or Trollop. Which makes it a bit boring for non-professional readers. Even if I read several novels and nearly all the ones cited from the authors in question it kind of misses the point. But probably I was just set-up by the astonishingly broad american drawl of the narrator. I must admit that I was laughing out loud when he first started speaking because of the discrepancy of the subject against the narration. And as amusing it was at the start it became really pesky after listening to it for some time. It became so distracting that I stopped following the content but only listened to the accent. Sorry Mr.Nelson!

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