Cuffed
Everyday Heroes (The Malone Brothers), Book 1
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Gesprochen von:
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Maxine Mitchell
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Joe Arden
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Von:
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K. Bromberg
Über diesen Titel
From the New York Times bestselling author, K. Bromberg, comes a new standalone in her Everyday Heroes world that proves true love will always stand the test of time.
“I hate you. I never want to see you again.”
Grant Malone is not the reason I moved back to Sunnyville—at least that’s what I tell myself. Yet, those parting words I said to him back in third grade, ring in my ears every time a townsperson brings up one of the Malone boys. I thought time had healed my wounds. I was wrong. Nothing could have prepared me for how I felt when I finally saw him again.
Twenty years does a lot to turn a boy into a man. One who hits all my buttons—sexy, funny, attractive, and a police officer. But Grant is off limits because he knows too much about my past.
But I’m drawn to him. That damn uniform of his doesn’t hurt either. It’ll be my downfall. I know it.
What’s one night of sex going to hurt . . . right?
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I’ve always loved Emmy Reeves.
That’s why I’m shocked to see her all these years later. The shy girl I once knew is all grown up.
Adventurous and full of life, she owns my heart now, just as much as she did back then. Convincing her of that is a whole different story.
I’ll give her the one night she asks for—like that’s a hardship—but when it comes to letting her walk away after, she has another thing coming. There’s no way in hell I’m letting her go this time without a fight.
Fall in love with the Malone brothers and the small town of Sunnyville. Each book in the Everyday Heroes series is a complete standalone, but might be better enjoyed listening to them as a series.
Cuffed (Grant and Emerson)
Combust (Grady and Dylan)
Cockpit (Graham and Sidney
Control (Desi and Reznor). A novella.
Das sagen andere Hörer zu Cuffed
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Geschichte
- Vanessa
- 15.01.2020
just too much drama
This part of series about the Malone-Brother is just too much drama.
The narrators are not bad, per se, but the female narrator constantly over-emphasizes every word. She sounds either whiny, depressed, or pissed off - and that, in combination with the emphasis - adds so much drama that it drowns out the story ... to me, it completely drowned out the seriousness of Emerson's abuse.
Speaking of child abuse, the story should come with a trigger warning. This part of the backstory is relatively dark.
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